ChrisPlatt
Thread Killer
Kodak could call anything they want "Kodachrome", even an E-6 film...
Rather ridiculous comment.
How so? Please explain.
Chris
Kodak could call anything they want "Kodachrome", even an E-6 film...
Rather ridiculous comment.
I thought the h2 was the last hasselblad to be able to accept film.
I thought the h2 was the last hasselblad to be able to accept film.
How so? Please explain.
Chris
I don't think Kodak can get away with rebranding an E-6 film Kodachrome
I'm not the person who made that comment, but I don't think Kodak can get away with rebranding an E-6 film Kodachrome; not in the information age. Those who are still shooting film tend to know (or have read) what made Kodachrome special.
Even a new, non-E-6, reformulation of Kodachrome would probably get some negative reception unless it's 99% identical to the old Kodachrome and also have processing compatible with the expired Kodachrome in people's freezers.
Let's make it clear. Kodachrome is synonymous with K-12, K-14, etc. processes.
Selling it as anything else is deceptive. Doing so would be equivalent to a lie regardless of whether it is just a "brand" or not.
...
Hi,
Kodachrome will not come back!
In English:
https://petapixel.com/2017/01/27/kodak-backtracks-says-difficult-revive-kodachrome/
In German:
http://www.photoscala.de/2017/01/28/hoffnungen-auf-rueckkehr-des-kodachrome-zerschlagen-sich/
Cheers, Jan
What would you like to call it?
I happened to like Plus-X, you don't.
A fake.
Because an E6 film with something like a "Kodachrome look" (which would probably very very difficult to achieve) is a fake.
It is simply not the real deal, not the original.
It would be a fake like all these crappy film simulation programmes in digital imaging.
Those few people who really want Kodachrome would not buy it, they want the real stuff.
So an E6 "Kodachrome" would be a financial disaster: Huge costs of R&D, and not enough customers in the end.
I really hope Kodak Alaris is not so stupid to do that.
Some people here forget that Kodachrome failed in the market long before the digital flood came. Kodachrome significantly lost market share already in the 80ies to E6, and during the 90ies most reversal film shooters switched to E6.
For very good reasons:
E6 films from the 90ies on have been better in all respects: More natural color rendition (or more saturated like Velvia), finer grain, higher resolution, better sharpness, much better color stability when exposed to light (on the lightbox and in projection), much faster turnaround with processing, local processing options and possibility of home processing, cheaper.
The best Eastman Kodak and Kodak Alaris now can do is to focus and concentrate on new Ektachrome(s).
Cheers, Jan