From what I read on APUG, many of the Kodak film engineers who were familiar with Ektachrome had either retired or left the company. Basically, a bunch of new guys had to learn how to make an E-6 transparency film.
Jim B.
In some of their recent interviews the Eastman Kodak representatives said that
- lots of their former E6 engineers left Kodak in the last years (either retired or laid off)
- some of the raw material used in former Ektachrome ist not available anymore
- they have to redesign quite a lot, which is very difficult
- for all these reasons they don't know how the final new Ektachrome will look: More like E100G, or more like E100GX, or more like E100VS.
We just have to wait and see.
In the meanwhile I continue to enjoy Provia 100F, the best ISO 100/21° natural-color film ever. The benchmark for all other neutral color reversal films since its introduction in 1999.
And not only the benchmark in neutral colour rendition, resolution, sharpness, fineness of grain. But also in flexibility and versatility:
Provia 100F not only gives perfect results at box speed, but also pulled one stop @ ISO 50/18°, and pushed one stop @ ISO 200/24°.
And even @ ISO 400/27° and push 2 developing it offers good results.
Cheers, Jan