Vics
Veteran
wjlapier
Well-known
grouchos_tash
Well-known
Leica M6 - Elmar-M 50mm 2003 - Ektar

Untitled by Gary Harding, on Flickr
Bessa R2a - Nokton 40mm f1.4 - Ektar

Untitled by Gary Harding, on Flickr
Leica IIIf - Elmar 5cm f3.5 - Ektar

Italy by Gary Harding, on Flickr

Untitled by Gary Harding, on Flickr
Bessa R2a - Nokton 40mm f1.4 - Ektar

Untitled by Gary Harding, on Flickr
Leica IIIf - Elmar 5cm f3.5 - Ektar

Italy by Gary Harding, on Flickr
luuca
Well-known
and works with subdued light too! ��









markjwyatt
Well-known
Here are some shots with my Contax IIa + 50mm f2 Sonnar:

Bare Hill by Mark Wyatt, on Flickr

Pasture Old Oak by Mark Wyatt, on Flickr

Pastoral and Suburban by Mark Wyatt, on Flickr

Bare Hill by Mark Wyatt, on Flickr

Pasture Old Oak by Mark Wyatt, on Flickr

Pastoral and Suburban by Mark Wyatt, on Flickr
skopar steve
Well-known
charjohncarter
Veteran
Mackinaw
Think Different
Yashica Mat 124G. Ektar 100.
Jim B.

Jim B.
coogee
Well-known
I like Ektar too, especially on cloudier days.



Ted Striker
Well-known
I gave up on Ektar film once it became so hard to find. I could not buy a roll anywhere during my last trip to Japan. 2 weeks in the country and all the film I found was either Superia or AgfaPhoto Vista. I should have brought the Ektar that I wanted to shoot but I figured Japan was THE easiest country in the world to buy film in, I would have no problem. Lesson learned.
lawrence
Veteran
La Paz, Bolivia
La Paz, Bolivia
Ektar 100. Canon L1 with Voigtlander 35/1.7 Ultron.
La Paz, Bolivia

Ektar 100. Canon L1 with Voigtlander 35/1.7 Ultron.
Mackinaw
Think Different
People say Ektar is too warm to use for portraits, but I still like it. Probably my favorite C41 film.
Jim B.

Jim B.
css9450
Veteran
I use it from time to time, after a lifetime of shooting slides exclusively when I wanted to do color.

Swift1
Veteran
Ektar is probably my all time favorite film. It handles over/under exposure better than any film I've used. I've exposed it anywhere from 25 ISO to 640 ISO, processed normally, and usually get excellent results.
This was shot at around 25 ISO (I almost never use a meter, just Sunny 16),
Rolleiflex 2.8C
Carl Zeiss Planar 80/2.8
Kodak Ektar 100
Epson V500
This was shot at around 25 ISO (I almost never use a meter, just Sunny 16),
Rolleiflex 2.8C
Carl Zeiss Planar 80/2.8
Kodak Ektar 100
Epson V500
Swift1
Veteran
This one was (somewhat accidentally) shot at 640 ISO. I had manually set my Contax G2 to 640 ISO for a roll of Lomo Color 800, and then forgot to reset it when I loaded Ektar, and I didn't realize what I had done until I got the developed negatives back from the lab.

Untitled by Colton Allen, on Flickr
Contax G2
Carl Zeiss Planar T* 35/2
Kodak Ektar 100 @iso640
Epson V750

Untitled by Colton Allen, on Flickr
Contax G2
Carl Zeiss Planar T* 35/2
Kodak Ektar 100 @iso640
Epson V750
Bingley
Veteran
Nikkormat FT3, Nikkor 50mm f1.8, Ektar:
Manzanita by bingley0522, on Flickr
Apples by bingley0522, on Flickr
Calaveras County, CA by bingley0522, on Flickr
A road over the hill by bingley0522, on Flickr




Majki
Well-known


@pulp_picture
Majki
Well-known








@pulp_picture
charjohncarter
Veteran
I'm not as brave as Swift1: this one was at 50 EI. Also this is when Ektar 100 was first on the market around 2008. One observation, depending on how you scan and post process you can get different color renditions.
Everyone hear should read Swift1's tutorial on color scanning and post processing:
http://www.coltonallen.com/getting-the-most-from-color-negative-film-with-your-epson-flatbed/
Untitled by John Carter, on Flickr
Everyone hear should read Swift1's tutorial on color scanning and post processing:
http://www.coltonallen.com/getting-the-most-from-color-negative-film-with-your-epson-flatbed/

Swift1
Veteran
I'm not as brave as Swift1: this one was at 50 EI. Also this is when Ektar 100 was first on the market around 2008. One observation, depending on how you scan and post process you can get different color renditions.
Everyone hear should read Swift1's tutorial on color scanning and post processing:
http://www.coltonallen.com/getting-the-most-from-color-negative-film-with-your-epson-flatbed/
Thanks for sharing that link again John
Here's one I shot at around 200 ISO.
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