New York February NYC Meet-Up/ Eighth Annual Camera Beauty Contest

I'll have some of what Cal's having bar tender... ;)

John,

Right now I'm battling self proclaimed trolls, and I am so bored. I know its the holidays but so much nonsense.

Boy am I mighty annoying. LOL. Probably who is worse? Me being annoying and provoking people as a hobbie, or an angry troll. "I can be mighty bitchy," I say.

Cal
 
Cal, I was only speaking to the numerology.

It seems like the 35 Lux-R is loosening up. The damping is still kinda a bit heavy, but I'll keep on using it.

It seems the 35 Lux-R renders more like an 80 Lux or 75 Lux: dreamy wide open and pehaps a soft rendering, but major sharp stopped down.

My 50 Lux-R is a bit like an ASPH lens in that at F1.4 it already is sharp.

Just sharing my new obsessions. LOL.

Cal
 
Anyways one thing that stuck that I remembered is that 3 is a creative number. Funny thing is that if you rearrange any string of numbers it always gets reduced down to the same prime number, and somehow the symbolism kinda made sense.

Cal

My Musician-MD friend studied Fibonacci and there was a bit of numerology concepts. When he sees a photo of mine, takes seconds to break down and do a Fibonacci comment. 3 is in the series and quite important. I may suppose the importance of 1 and 3 come down to Fibonacci series and the simplest/smallest and common. This may be partially nosense, all I recall is from these discussions.

He loves the number 46 but I don't recall a particular reason.
Told me months ago he'd lend me his Fibonacci book to deepen my knowledge; instead he was absorbed by an obsessive crazy middle school classmate of mine and I don't see him often since.
:D
 
My Musician-MD friend studied Fibonacci and there was a bit of numerology concepts. When he sees a photo of mine, takes seconds to break down and do a Fibonacci comment. 3 is in the series and quite important. I may suppose the importance of 1 and 3 come down to Fibonacci series and the simplest/smallest and common. This may be partially nosense, all I recall is from these discussions.

He loves the number 46 but I don't recall a particular reason.
Told me months ago he'd lend me his Fibonacci book to deepen my knowledge; instead he was absorbed by an obsessive crazy middle school classmate of mine and I don't see him often since.
:D

Err.. we have 46 chromosomes? Fibonacci series are fun though
 
My Musician-MD friend studied Fibonacci and there was a bit of numerology concepts. When he sees a photo of mine, takes seconds to break down and do a Fibonacci comment. 3 is in the series and quite important. I may suppose the importance of 1 and 3 come down to Fibonacci series and the simplest/smallest and common. This may be partially nosense, all I recall is from these discussions.

He loves the number 46 but I don't recall a particular reason.
Told me months ago he'd lend me his Fibonacci book to deepen my knowledge; instead he was absorbed by an obsessive crazy middle school classmate of mine and I don't see him often since.
:D

Jordi,

I use the rule of thirds a lot for composition. Also in art school I took a course on graphic skills that was a required art major requirement. Fibonacci numbers and proportions are all around us, but most do not realize all the relationships.

One class involved looking at Sunday Times Magazine sections and obsess over the use of the "golden mean." Very deeply seated, but also so natural (emulates the math in nature) that one has to look a bit for it. A very-very important aspect of composition.

Add sex and you can sell almost anything.

Anyways this course was very valuable.

It seems 13 is a number for change, and because most people are resistive to change the superstition that thirteen is an unlucky number was explained by numerology. Is there another explaination?

BTW 13 was my number on my football jersey, and 13 seems to be my lucky number. Perhaps I like change.

Cal
 
Jordi,

I use the rule of thirds a lot for composition. Also in art school I took a course on graphic skills that was a required art major requirement. Fibonacci numbers and proportions are all around us, but most do not realize all the relationships.

One class involved looking at Sunday Times Magazine sections and obsess over the use of the "golden mean." Very deeply seated, but also so natural (emulates the math in nature) that one has to look a bit for it. A very-very important aspect of composition.

Add sex and you can sell almost anything.

Anyways this course was very valuable.

It seems 13 is a number for change, and because most people are resistive to change the superstition that thirteen is an unlucky number was explained by numerology. Is there another explaination?

BTW 13 was my number on my football jersey, and 13 seems to be my lucky number. Perhaps I like change.

Cal

That excercise is the one we do, and after a while becomes natural. Indeed in learning photography easly on there was the rule of thirds explained. Nowadays I don't think much about it because it is rather natural and really everywhere.

13 is also a lucky number to me. Had very nice events happen on 13th days.
This past Tuesday 13th, the Hispanic bad luck day, I went out for a bike and photo ride in the beach promenade. Coming back, A fisherman in the beach with a pool of water (unusual here) behind reflecting off the sunset color. After the sunset came a rather godly full moon rise.
 
Duuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuude! I feel like I'm hanging out with homeless Jeff reading this thread.
 
Duuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuude! I feel like I'm hanging out with homeless Jeff reading this thread.

John,

Is "Homeless Jeff" a new age kinda guy?

Anyways there's so much to obsess about, especially if you are bored at work.

In art school did you not get brainwashed with the "golden mean" and Fibonacci numbers?

Cal
 
John,

Is "Homeless Jeff" a new age kinda guy?

No, but I find this type of talk tends to occur after some herbal remedies.

In art school did you not get brainwashed with the "golden mean" and Fibonacci numbers?

Nope, feminism, identity politics, anti-consumerism were the tools for brainwashing at my school. ;)
 
FREE CAMERA COMPETITION: Last year we had a "Cheap Camera" competion that I lost against Sam by about $0.06. Basically since I found my camera at Housing Works in NYC, right by Puck Fair the difference was the higher NYC sales tax verses Nassau or Suffork county sales tax.

This year I have a contender for a free camera. The backstory is I have a reputation of day-trading gear, and somehow I created inadvertantly what would be possibly straddle either "Camera Futures" or "Camera options."

So here is the analogy that relates to Wall Street. Someone brought to a Meet-Up a Nikon F5 that is in minty condition for me to try. I liked the camera and wanted to buy it, but the owner decided that he would rather like some large prints in lew of payment, and this payment has been held off till the future.

Presently we have an open contract, and the expiration date does not exist, so since posession is 9/10ths of the law I own the camera, but I have yet to pay for it (which I intend to do by our barter agreement), so I contend that this is thus far technically a "free camera" since it so far cost me nothing.

Call this a lack of regulation or financial engineering, but I define this as a "Free Camera." Also know that this just happened, it wasn't planned, and "I was just minding my own business." LOL

I know of a user Nikon F2 that was gifted to John, and I expect John to bring it to our February event. So John how would you define the above open contract? Is it Camera Futures or Camera Options? Also is there any risk or speculation that might cause a camera bubble?

Cal
 
I know of a user Nikon F2 that was gifted to John, and I expect John to bring it to our February event. So John how would you define the above open contract? Is it Camera Futures or Camera Options? Also is there any risk or speculation that might cause a camera bubble?

Wait, why do I have to bring that with me? That's been paid for in beer!

In regards to the F5, I think you simply bought the camera on margin. But then again, if you never deliver the prints, then the options analogy could work since Joe's end of the contract would expire worthless.
 
My boss is off today, so I call these days "Bonus Vacation."

So on my way to work this morning I come up with this idea to promote next February's big event. So in the outlined SLR competion I decided to riff off of John's comment that I own a camera museum, yes the cameras are displayed on a shelf, and if you saw them it looks like a small section of Adorama's or B&H's used department.

So for the SLR competition I want to elevate it to "curating" to where the assembly of cameras is more than a collection, but is rather a statement. Perhaps in this competition, although about SLR's, is really who is or has the most obsessive personality.

My competitor I know is equally crazy, but in a different manner. His collection of very recently a massed cameras is form-it-able because the cameras are in remarkable condition, are securely revered as the best of their time, and are remarkable in condition and rarity.

So here are my weapons that I bring to this competion: A 1975 SL2-MOT (only about 1000 ever made) that was built and assembled from two parts cameras by Sherry. I own a 35 Lux 3-cam and a 50 Lux "E60" that is a rare lens where about only 2700 were ever made.

I have a F3P that back in the day was a real "Press" camera and was owned by the Pulitzer Prize winning newspaper "Newsday." My F3P documented "Operation Desert Storm" and was overhauled by Nikon just before I bought it. I have owned this camera for more than two decades, and currently it is optimized/ultimized for shooting a Noct-Nikkor which will be displayed with the camera.

The F5 (Free Camera mentioned above) is ultimized for shooting my 28/1.4 AF-D that displays that classic crinkle finish over a metal barrel. This is set up as a fast street shooter that exploits auto focus, narrow DOF with a wide, 7 segment matrix metering and weaponized with a modified AH-4 Handstrap. The 28/1.4 AF-D is more rare than my Noct-Nikkor.

I have a F3 HP that is a fashion statement because it is recovered in soft Italian Goat leather. Someone called this F3HP a F3P saying the "P" is for Prada.

Also know that I own and use an aftermarket grip on the F3's that is both unusual and rare. BTW know that grips on cameras annoys John. LOL.

BTW Let's refer to February's event as "The Camera Circus." Every year we make it a different spectacular event, and I think a circus suggests and captures the spirit of the event.

I have a secrete weapon, and also I'm thinking of curating other exhibitions like maybe a "Texas Leica" kit that includes a complement of lenses and covers 6x7 and 6x9 formats. I even have a one off lens that I created by befriending a semi-retired repairman (Frank Marshman) and having him build me a custom lens that is basically a one off.

Cal
 
Wait, why do I have to bring that with me? That's been paid for in beer!

In regards to the F5, I think you simply bought the camera on margin. But then again, if you never deliver the prints, then the options analogy could work since Joe's end of the contract would expire worthless.

John,

Thanks for the clarity. Camera deals these days can get complicated. LOL.

Also I see you recloosed (invented the word) yourself.

So "Camera Options" it is. BTW Joe is smart. Know that there is no expiration date, and like shorting the markets if I happen to get famous, or perhaps more famous than I am (I have a strong reputation), LOL, then Joe could have unlimited profits or a massive windfall.

So let me call Joe not only a friend who is supporting an artist, but also a speculator. LOL. Joe is kinda smart. I hope Joe is right, and hope I'm not just some penny stock. LOL.

Also know that in a way I know I'm a printer, but really in this deal I'm printing money so loosely I could be breaking the law in a twisted exaggerated way and could be accused of counterfitting money.

Anyways know that I come from a Hong Kong "Bankster" family on my mother's side, but my dad comes from a family of thugs from Kowloon. Kinda interesting to compare Brooklyn and Madhattan to Hong Kong and Kowloon. The geography is very similar and the time zone is 12 hours away. Hmmm...

Anyways whenever someone becomes President that I didn't vote for the Bankster in me comes out.

Cal
 
I checked the serial number on my SL (Digital) and it is a three. LOL.

UPDATE ON MY GET OUT OF JAIL CARD: A while back I bought my gal a big emerald cut diamond. Best thing I ever did. I basically proved I'm not a cheap *******, and that by buying one diamond for her means I can spend as much money on me, cameras and printing and never get in trouble.

So yesterday we pick up the diamond in a new modern setting. Wow what a ring, and made by a re-known jewelry designer artist made loveingly by our new friend. It does not get much more high end than this and the ring is a marvel because there is nothing like it.

The original ring was an estate antique ring, but the transformation to modern is wonderful. My gal is happy-happy, and I got mucho bonus points. I have to photograph this ring because it is a signature important piece. This morning I grabbed "Maggie's" hand to look at the ring, and then I got the idea to shoot a close up of our hands with the ring.

Our friend wanted us to have the ring before Christmas in the authentic spirit of Christmas. I plan on doing the photography of this ring because it is an important piece, and in early January Elaina needs the shots for some big important meeting while she is away. Because of the deadlines somehow I am given the honor of some commercial photography for a very high ended boutique jeweler. Humbly I feel so honored. This jeweler is amazing.

In the spirit of giving, a while back, I was given access to an Epson 9880 if I ever really want to print big color prints by Elena's sister who is a big time Graphic Designer.

Now it seems a modeling agent from one of the big three modeling agencies contacted Maggie. I was kidding around that I might become a kept man last night. BTW the agent is based in London, but is coming to NYC soon for a meeting...

Anyways I just wanted to share some Christmas spirit and want to wish everyone a safe and happy holiday. All the best.

Cal
 
So I now have my 3880 loaded with the new Piezography Pro inkset. So now I can offer a prize of a 13x19.5 print on 17x22 paper as a prize.

Why not of the winner's B&W image?

So I think it should exploit the variable splitone, and know that I now can blend inksets in the printhead and have control of the highlights, shadows and mids.

Whoever wins will be involved because I will do mucho proofing to ultimize the image that the mob deems interesting.

So let's call this an image contest. Only rule is B&W only.

Cal
 
Wait, why do I have to bring that with me? That's been paid for in beer!

In regards to the F5, I think you simply bought the camera on margin. But then again, if you never deliver the prints, then the options analogy could work since Joe's end of the contract would expire worthless.



I learnt from a stint on a narcotics grand jury that if you give someone drugs, you are 'selling' because you may be getting something in return at another time. So the f5 was bought, but it may have been for nothing. Not sure if that makes it free...

I'll be in Mexico for a few weeks, so not much time for any fantastical concoctions this year.

If we'd do a category for camera with most actuations, or rarest digital camera, or camera with the oldest Kodak ccd sensor, I'd have a shot at winning something.


Sent from my iPhone using Tapatalk
 
I could enter the camera with the least use. My mamiya has officially had 5 rolls through it in the 2 years I've owned it.
 
Hello everybody,

I attended last year with Jim and really enjoyed it. Where are the meets held now?

Preston,

Welcome back.

January's Meet-Up is at Lorelie's in the Bowelry on Rivington. 1:00 PM is the Meet-Up time, but generally I am there early.

There has been some talk of finding a more open space like we had at Puck Fair, so stay a breast.

2016 has been a good year. I own a SL; I have a new state of the art printing setup; and by the February Camera Circus there is still a possibility that I might have my Monochrom back from sensor replacement.

Expect a good time. In the January Meet-Up expect to see some amazing results from the new Piezography Pro splitone inkset. I made five 8 1/2x11's last night and already I'm blown away. With this new system I have digital negative capabilities for contact printing silver prints. The splitone allows me to blend cool, neutral and warm ink curves seperately at highlights, mids and shadows.

I'm really inspired, and this system is perfect for making books. The printing is one-pass glossy which is a mucho big deal. I was invited to be an early adopter, and I am among the few because Piezography Pro is not yet available to the general public.

See you at the Camera Circus, but try to make the January Meet-Up if you can.

Cal
 
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