Calvin
Established
For daily use w/ your CV, which do you choose from?
- Colour Film
- B&W Film
Nachkebia
Well-known
2 - Ilford Delta 100 for daylight, Ilford HP5 for night time, Kodak tri-x for traditional everything....
1 - Any slide film, fuji provia and kodak 100 VS recomended.....
1 - Any slide film, fuji provia and kodak 100 VS recomended.....
Avotius
Some guy
1. Fuji Provia, Fuji superia 400
2. Ilford Delta 100, Ilford XP2
2. Ilford Delta 100, Ilford XP2
W
wlewisiii
Guest
Depends on what I'm looking to do, but I like:
1) Fuji Reala for color
2) Fomapan/Arista.Edu Ultra for B&W.
I used to use Kodak B&W, but I really don't trust that company any more and since I don't care for the look of Ilford film, Foma has become my preference.
William
1) Fuji Reala for color
2) Fomapan/Arista.Edu Ultra for B&W.
I used to use Kodak B&W, but I really don't trust that company any more and since I don't care for the look of Ilford film, Foma has become my preference.
William
DMG
waiting for friday
1) provia or astia, prefer astia though
2) tri-x, HP4 or FP4
next year though I'm going to branch out and try other films again
2) tri-x, HP4 or FP4
next year though I'm going to branch out and try other films again
x-ray
Veteran
Delta 100, 400, HP5 pushed to 800 in Acufine and Adox KB25.
Color transparencies fuji astia (neutral), kodak E100 VS (saturated) and GX warm also Provia is great.
Color neg ? never shoot neg hardly.
Color transparencies fuji astia (neutral), kodak E100 VS (saturated) and GX warm also Provia is great.
Color neg ? never shoot neg hardly.
swoop
Well-known
I mix it up between trix, delta and HP5 400 ISO's pushed to 800.
popstar
Well-known
Color film - Kodak 400UC almost exclusively, though one occasion I'll use one of the other Porta films
B&W - Ilford HP5+ - 80%, FP4+ - 15%, Kodak BW400CN when I need C41 processing (not usually street)
B&W - Ilford HP5+ - 80%, FP4+ - 15%, Kodak BW400CN when I need C41 processing (not usually street)
back alley
IMAGES
thought i'd move this to the film forum
i shoot b&w film
i shoot b&w film
VictorM.
Well-known
1) Tri-X.
2) Tri-X.
2) Tri-X.
Aurelius
Well-known
erikhaugsby
killer of threads
(continued from VictorM's post)
3) Tri-X

but I'm really not lying, tri-x is amazing for day-to-day shooting where lighting isn't controllable.
3) Tri-X
but I'm really not lying, tri-x is amazing for day-to-day shooting where lighting isn't controllable.
Aurelius
Well-known
erikhaugsby said:(continued from VictorM's post)
3) Tri-X
but I'm really not lying, tri-x is amazing for day-to-day shooting where lighting isn't controllable.
Sorry lads. I dont like it at all ...
I dont like the grain. I think it is "flat". Difficult (for me).
show me a nice/good tri-x pic ...
willie_901
Veteran
4) TriX - @400 from April - October; @800 November - March (in North America)
5) Fuji 800 occasionally
willie
5) Fuji 800 occasionally
willie
ampguy
Veteran
Sandisk SD
ErnestoJL
Well-known
ISO 400 either B&W or colour.
BW400CN or any colour neg, or HP5.
C41 dev or home dev for HP5.
Ernesto
BW400CN or any colour neg, or HP5.
C41 dev or home dev for HP5.
Ernesto
Gid
Well-known
1. Delta 400 and occasionally HP5+ or FP4 in good light
2. Astia, but trying out Provia 400 at the moment.
2. Astia, but trying out Provia 400 at the moment.
V
varjag
Guest
Tri-X is flat? You must be kidding. The shadows are clean as baby's tear yet strong as moonshineAurelius said:Sorry lads. I dont like it at all ...
I dont like the grain. I think it is "flat". Difficult (for me).
show me a nice/good tri-x pic ...![]()
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