Alternatively, talk to anyone putting on one of the half dozen photography workshops on the Faroe Islands this summer and ask them about sourcing film and processing.
Best,
-Tim
This all started from me deciding to attend one with a well known hybrid film / digital photographer. I would do a week with him to help learn the finer points of the place and then have 5-7 more weeks on my own.
In regards to buying new from stateside or even Euro shops, it will cost me a lot more than if I were to ship from my stock here at home. I am just not doing development over there, I need to be out all the time making work. It's a rough place to shoot due to wind so you really need a lot of at bats to produce.
Didn't see it mentioned but have you tried TSA Pre-check. You pretty much get waved through and the line is always smaller so the people at the check point are always more friendly and willing to help. Just my experience.
I have been pre-check for a few years now, it makes an enormous difference when I travel for jobs stateside. But I am not sure how many of the benefits translate in overseas airports.
I just want to thank one and all. I think the range of opinions was much needed. And yeah…you can tell I am well worn out.
I also know the catchy headline was a bit of a disruptor. But I do think a raft of good answers and grass roots attention to what is boutique international film logistics, will go a long way in making this a faster and less painful transition to using film abroad.
It’s personal for me on a few levels and I am never one to quit so I have to self educate as best as I can. I’m sure the proper supply line is out there, it’s just a matter of finding the right path and process.
The film industry needs to take an active role in helping us set up some coordination, a system that reads as many real time data points as possible and ties it all together.
The solution is out there, even if added cost needs to be considered.
I'm taking a break from this all for now, have a good rest of the weekend folks!