finding vivian maier

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worthwhile seeing this documentary…saw it last night and it was amazing seeing her photographs on the big screen in all their big neg glory!
she was certainly a character…turns out, a somewhat sad character…the last of the film was a bit depressing finding out more of her personal story.

if you get a chance to see it, please do!
 
Thanks for posting the link. It's playing at my favorite theater in Scottsdale, AZ in April. I just put it on the calendar. I can't wait.
 
and if you are in Chicago, see the exhibition at the Chicago History Museum. It's a wonderful show.

Saw the show this past Monday. Thing is, it's a history museum, and they present photography/art much differently from an art museum. To me, the exhibit was hokey and indulgent. Hokey because, well what else would you call 4x4 prints mounted to plastic and strung on hooks from the ceiling that one had to navigate around and walk into weird U shapes to view. Indulgent, because creating a department store like window display from photos puts the emphasis much more on the person staging the work than the work itself. And, obviously because it's the Chicago History Museum, the work is Chicago-centric. Many of the hanging prints are scratched, the lighting is challenging, and the black walls bit... oh what to write? The printing on the large prints isn't impressive at all. The nicest prints are the 4 framed prints near the entrance to the exhibit. This collection is not from the Maloof trove, but from the 10 percent Goldstein collection. Goldstein to his credit has tackled his trove with darkroom wet printing -- and those 4 prints are nice. Nonetheless, I was in Chicago on assignment, and part of my pre-shoot day arrival plans were centered on catching the exhibit and walking around the town a small bit, and visiting Central Camera -- they opened in 1899! Chicago deep dish pizza -- okay, loved Chicago -- not so much love for the pizza. NYC brick over thin crust that's the shizzle. And Harry Carry's -- ugh, cue stomach roll - nuff said. Amalfi now called Kenzie Hotel -- superb. The big chrome bean must be sean.
 
is the screening all day or specific time in the evening?

will be in LA on April 4, 12 hours layover so might be able to watch it in Costa Mesa!
 
i have the book 'Vivian Maier Street Photographer'...Tres Fab !
much prefer it to the other book 'out of the shadows'

Now I must see the documentary since she and i share a Birthday, the streets of NY, and a lust for shooting 😱

Thanks for the heads up 😉
 
Saw the show this past Monday. Thing is, it's a history museum, and they present photography/art much differently from an art museum. To me, the exhibit was hokey and indulgent. Hokey because, well what else would you call 4x4 prints mounted to plastic and strung on hooks from the ceiling that one had to navigate around and walk into weird U shapes to view. Indulgent, because creating a department store like window display from photos puts the emphasis much more on the person staging the work than the work itself. And, obviously because it's the Chicago History Museum, the work is Chicago-centric. Many of the hanging prints are scratched, the lighting is challenging, and the black walls bit... oh what to write? The printing on the large prints isn't impressive at all. The nicest prints are the 4 framed prints near the entrance to the exhibit. This collection is not from the Maloof trove, but from the 10 percent Goldstein collection. Goldstein to his credit has tackled his trove with darkroom wet printing -- and those 4 prints are nice. Nonetheless, I was in Chicago on assignment, and part of my pre-shoot day arrival plans were centered on catching the exhibit and walking around the town a small bit, and visiting Central Camera -- they opened in 1899! Chicago deep dish pizza -- okay, loved Chicago -- not so much love for the pizza. NYC brick over thin crust that's the shizzle. And Harry Carry's -- ugh, cue stomach roll - nuff said. Amalfi now called Kenzie Hotel -- superb. The big chrome bean must be sean.

I disagree with virtually all your observations about the exhibition. The four darkroom prints by the entrance are quite poor - printed with so much contrast the shadows are plugged up and the highlights are blown out. The large prints are gorgeous with a broad tonal spectrum (they are Lambda prints, by the way, not that it matters...) and the exhibition is designed to envelop you. As you walk through the environment, you can see other large photos through the spaces between the prints - almost like walking through the city itself. The small photos on the wall are fascinating, they represent whole rolls of film. Astounding how she made every frame count. It's almost as though each frame on the roll was a "keeper". What I find hokey and indulgent is the notion that photography has to be exhibited in a certain manner, with artisanal framed darkroom prints, all matted and framed nicely on a pristine white gallery wall. The Chicago History Museum exhibition demonstrates that photography can be many things, and does not necessarily have to consist of precious objects behind glass. The exhibition immerses you in Chicago, the street, the characters, the rhythms. I noticed the scratches on some of the prints - so what? The exhibition has been up a long time - it will run a year or more. If that is the price you must pay for a more intimate experience, so be it. Just stand back a little. (People pay extra for nice "brassing" on their black paint Leicas...) This museum gets visited - and thousands of people have had the opportunity to feel the pulse of her work because of this exhibit. As opposed, for instance, to the lofty high art world of the Howard Greenberg Gallery in NYC, which also had a Maier show recently, visitited by a small fraction of those who saw and will see the CHM show.
 
I too prefer the Street Photo book over the Shadows one. But, I really do not like the printing or design on Powerhouse photo books that much.

I agree completely!

I was a financial backer of the Vivian Maier project, but have been very disappointed with the quality of the publications of her brilliant images.

Texsport
 
I agree completely!

I was a financial backer of the Vivian Maier project, but have been very disappointed with the quality of the publications of her brilliant images.

Texsport

Texsport please tell us more about the back story of being a backer on the Vivian Maier project.

With regards to her body of work: it seems there is a percentage, perhaps large that hasn't been scanned/printed/developed. To my knowledge, Maloof is going or initially went the desktop flatbed scanner and inkjet print route. This doesn't seem ideal. And the quantity of undeveloped film seems mathematically exaggerated based upon the number of rolls one could go through. Who knows? And how much of this 40 plus year old undeveloped film is salvageable? My point is that before the first books were printed, it would've been great to have had all the work available for evaluation and inclusion. The 2 camps Maloof and Goldstein need to put Vivian first and cooperate on books and shows so the overall impression isn't fragmented. From my point of view, many very poor examples of her work have been shown. The hype of her being a nanny with a back story shouldn't green-light a lesser photo being featured. She does after all have more than enough to pick from. Her later color work, 35mm, and 8mm filming are shown in galleries and elsewhere, but to me these do not hold up at all. My guess is it will take 5 years or so before we can get a better look at her work. Hopefully this will be in the form of a Steidl book with a Greenberg intro and a few gallery shows with large first rate silver printing.
 
The "Finding Vivian Maier" project was funded on line through Kickstarter.com.

Donors pledged a few hundred to a few thousand dollars in support.

Return on investment depended upon donation level, but included such as a copy of the first book, a DVD copy of the film, and tickets to the film premier.

Texsport
 
worthwhile seeing this documentary…saw it last night and it was amazing seeing her photographs on the big screen in all their big neg glory!
she was certainly a character…turns out, a somewhat sad character…the last of the film was a bit depressing finding out more of her personal story.

if you get a chance to see it, please do!

Just saw it at the TIFF Bell Lightbox in Toronto. Totally agree that it's worth seeing. Very well done documentary.
 
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