Fine Grain Film/Developer

Another thought is FP4 souped in Diafine. That gives EI=250, not quite up to 400, but equal to the EI I use for Ilford XP2. I don't have any samples scanned to show, unfortunately, but it's a very nice combination. And Diafine is amazingly convenient and easy to use.
 
Here is one shot on Ilford HP-5 developed with Ilford equivalent of D-76 the name escapes me right now.

i think it's 'id11'
 
Re: Fine Grain Film/Developer

Todd.Hanz said:
I would be interested in knowing which film everyone suggests that would have a tighter grain structure compared to Tri-X. I am looking for examples (pics) or experiences with different developer/film combos. I know alot of members use HP 5 and would be interested in your thoughts as well as C-41 process films. My only caveat is I would like it to be a 400 speed film with an "available"developer.
I use Acros 100 when I can but that isn't always an option. I feel like I can control the tonal range of Tri-X pretty well, I am just thinking about other possibilities. here is a recent example: (scanned on a flatbed, which is another issue altogether)

Todd

About 5 years ago, I discovered the wonderful Fuji Neopan 400 film. Much nicer, tighter grain and tonality than Tri-X or HP-5. It's all I use now. Fantastic stuff, and cheaper too. I burn it @ 320, through a deep yellow (#15) filter for my street shooting.

Russ
 
"Back in the Day" I used to shoot nothing but Panatomic-X developed in Microdol-X. Well, the latter is still around...

Kodak Microdol-X Data Sheet

I also used it on the Tri-X shot on occasion, and got good results. Anyone use this combo anymore?
 
Brian Sweeney said:
"Back in the Day" I used to shoot nothing but Panatomic-X developed in Microdol-X. Well, the latter is still around...

Kodak Microdol-X Data Sheet

I also used it on the Tri-X shot on occasion, and got good results. Anyone use this combo anymore?
That brings back some memories! I was a Pan-X fan back then -- used to bulk load it. I got some really nice results with Tri-X in Microdol-X 1:3 rating the film at 200. Very smooth grain but perhaps not quite as crisp as D76 or Rodinal.
 
Yeah, the Panatomic-X, was great. They discontinued it when they came out with T-Max 100. I prefer the Delta's over the T-Max line. But man, the negs and prints from the Neopan 400, are so beautiful! The Neopan, is not a Tabular style film. It's the old style emulsion. Perhaps that helps in achieving it wonderful tonality.

Russ
 
Brian,

I have been playing with Microdol-X with 35mm HP-5+ and 120 T-Max 100. I'll see about scanning some of the HP-5+ negs so Todd can see (sorta) what the images look like.

I am not sure what every one means by T-Max being hard to work with. I must be pretty slow.

Wayne
 
backalley photo said:
i much prefer the delta films over t-max.
t-max always seemed more 'harsh' to me and way harder to control.

joe

Joe

I agree completely. The T-Max films are too finicky. The Delta's are so much easier to work with, plus, I prefer their tonal scale.

Russ
 
Here are a couple of HP-5+ 35mm shots that were developed in Microdol-X. HP-5+ was rated at ISO 400 for what it is worth. I don't know how to post 2 photos in the same post , so these will be in seperate posts, sorry.

Wayne
 
Wayne, Beautiful Portraits.

Unless "very poor" refers to finances AND NOT photographic skill, I think a name change is necessary to protect the egos of the rest of us!
 
Nice tonal range, that looks like a good film/developer combo.

Todd
 
Brian Sweeney said:
Wayne, Beautiful Portraits.

Unless "very poor" refers to finances AND NOT photographic skill, I think a name change is necessary to protect the egos of the rest of us!

Aw, Shucks Brian. It warnt nuthing special. Yes, I do feel the cruel pinch of financial want. So many cameras and so little room and so little money.

Wayne
 
Back
Top Bottom