dazedgonebye
Veteran
Here are the first 4 shots from my Crown Graphic.
I literally just sat the boy down and turned on three lamps. No thought to anything but getting the first shots on film.
FP4 developed in Barry's two-bath formula.
First, we have the obligatory "I forgot to close the shutter before removing the darkslide shot.
I have to say, I love the negatives. Even looking at them before the scan is a bit of a thrill.
I literally just sat the boy down and turned on three lamps. No thought to anything but getting the first shots on film.
FP4 developed in Barry's two-bath formula.
First, we have the obligatory "I forgot to close the shutter before removing the darkslide shot.




I have to say, I love the negatives. Even looking at them before the scan is a bit of a thrill.
Eryximachos
Registered User
I have to say, those are some great photos; great tonality.
aad
Not so new now.
Man, big film is awesome!
Beemermark
Veteran
Excellent lighting setup!
BillBingham2
Registered User
My favorite negative I ever did was from my Crown years ago. There is SO much depth in the tones. Never saw it in any 35mm or 120. Must be the magic of bellows!
Great job. Wish I could get my 10 yr old to sit still without his hands over his face.
B2 (;->
Great job. Wish I could get my 10 yr old to sit still without his hands over his face.
B2 (;->
FrankS
Registered User
Especially love the last one, Steve. Great!
I've got a 4x5 Speed Graphic tucked away for when time allows and the spirit moves me.
I've got a 4x5 Speed Graphic tucked away for when time allows and the spirit moves me.
ChrisN
Striving
As the man said - what amazing tones in those big negatives!
"I've got a 4x5 Speed Graphic tucked away for when time allows and the spirit moves me."
Yeah - me too Frank. It must be getting closer to the time to drag it out again, even if I do have to scan the negs in two slices and stitch them together. Thanks for the inspiration, Steve!
"I've got a 4x5 Speed Graphic tucked away for when time allows and the spirit moves me."
Yeah - me too Frank. It must be getting closer to the time to drag it out again, even if I do have to scan the negs in two slices and stitch them together. Thanks for the inspiration, Steve!
Shok
Low Roller
You've got some nice clean shots there. I love the depth and clarity mix.
zgeeRF
Established
Beautiful frames! Very exciting to see them first thing in the morning as I am getting ready to go pick up one I found locally!!!
Debusti Paolo
Well-known
wow!!i love them!!try a slide film and let us see!!!!!
dazedgonebye
Veteran
Thanks all.
I was quite pleased just to get an image on the negative the first time out...not to mention loading and processing the film with no errors. I guess the time sitting on the sofa loading film with my eyes closed payed off. (Gave my family something to laugh at as well.)
I've now got that "There's no replacement for displacement" sort of feeling.
I doubt I'll be shooting much color film or slides. My budget doesn't allow for that sort of thing. I can do black and white for under $1 a shot with home developing.
I was quite pleased just to get an image on the negative the first time out...not to mention loading and processing the film with no errors. I guess the time sitting on the sofa loading film with my eyes closed payed off. (Gave my family something to laugh at as well.)
I've now got that "There's no replacement for displacement" sort of feeling.
I doubt I'll be shooting much color film or slides. My budget doesn't allow for that sort of thing. I can do black and white for under $1 a shot with home developing.
Al Kaplan
Veteran
Now you have me thinking about setting up the 5x7 E.& H.T. Anthony 5x7 with its polished mahogany and red leather bellows. I just have to figure out where I stashed to holders and hangers. I'm wondering if the coated 90mm f/6.8 Wollensack Wide-Angle Raptar that I picked up will cover 5x7 with no swings and tilts? I think it's the same basic design as the Schneider Angulon. Nothing beats a BIG negative!
JeffGreene
(@)^(@)
Steve:Thanks all.
I was quite pleased just to get an image on the negative the first time out...not to mention loading and processing the film with no errors. I guess the time sitting on the sofa loading film with my eyes closed payed off. (Gave my family something to laugh at as well.)
I've now got that "There's no replacement for displacement" sort of feeling.
I doubt I'll be shooting much color film or slides. My budget doesn't allow for that sort of thing. I can do black and white for under $1 a shot with home developing.
Great tonality! Thornton's two bath formula is one I use as well. You've inspired me to dig out the old B&J Press camera bequeathed to me by my uncle, a former PJ for the old Brooklyn Eagle.
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