Maybe ...
Maybe ...
No need for Leica these days, unless you need an item to show off and to complement your expensive watch, fountain pen, bag and suit. Or maybe if you wanna impress people so you can sell them overpriced workshops. It used to be pros that inspired the 'hobby photographer' to buy Leica, it's the overpriced-workshop folk these days. Pros have moved away, I feel.
Photography wise, there's loads of alternatives that deliver the image just as good or better, with more durability and at a better price. I've taken to DSLRs, none of my clients ask for Leica shots or Leica quality (since it is indistinguishable anyway) and if a camera breaks down, I can at least afford to pick up a replacement while it's in for repair.
If one isn't alienated, it's probably because there is spare money to burn and the pros' requirements don't matter all that much.
Or .... in my case, I have owned and used Leica equipment since the mid 1970's--and that's a lot of quality glass, really. Now, I don't find myself all that interested in expensive and fragile digital cameras, but I still use Leica M bodies, e.g., M4-Ps, M2, etc., and will likely continue to do so.
About a year ago I sprang for an M8.2, and it's been an "okay" experience; I use it primarily as a "sketch tool," for trying out compositional ideas--bearing in mind the 1.3 crop factor, etc.
From my perspective, at least, the most troubling thing that I see is an increase in the price of lenses ... mostly the aspherical and apochromatic models that, frankly, don't payoff proportionate to their costs.
I work (make pictures) almost daily, usually working in urban settings (Washington, DC, and environs). I mention this because I don't see lots of "bling" ---i.e., photographers with expensive Leica M bodies, etc., but that might be because I'm busy and not paying attention.
But, getting back on topic: I feel that Leica might not alienate as much as frighten the clear-thinking photographer: $7,000 (American) is a pretty heavy lift for the average person ... and some of these cameras have sensor problems, none have stable Post Processing Platforms (I'm thinking of the recent disconnect between Leica and Capture One and Adobe's move from a standalone to a admittedly more greedy subscriber model, to name but two examples ...), and are likely designed to be obsolete (like everything in the "digital world") should give even the most seasoned "pro" cause to think.
TR