mrisney
Well-known
I just picked up a SW612 and a Rodenstock 55mm - f4.5 APO Sironar Digital lens. I debated about the lens, but the more I read, I felt like I was hedging my way to a digital back, when I can afford a P45. The image circle for the 55mm Sironar Digital says its 125mm, so it should cover a 612 film back, but everything I have read, states that there is fall off on the edges.
Anyone have any experience with any of what I am describing ? One thing that I hear over and over, medium format glass tends to out resolve LF lenses. I get that the Mamiya 7 is pretty much tops in that regard. I went with the Rodenstock Digital, because somewhere I read that Rodenstock improved their digital lenses to deal with that digital backs can accommodate higher resolution than film. Sounds promising. I might be able to get tack sharp images on a film back with a lens that is really meant for digital. Or have I gone and made an expensive experiment into an obscure setup.
I rarely read any personal experiences with a Horseman 612 and Rodenstock setup. Sounds pretty exotic. Would love to here if anyone has anything to pass along, with my recent endeavor. I do like wides, and I have been patiently looking to get into 6x12 or 6x17.
Diving into the deep end of panoramic , albeit probably doing it all wrong.
Marc
Anyone have any experience with any of what I am describing ? One thing that I hear over and over, medium format glass tends to out resolve LF lenses. I get that the Mamiya 7 is pretty much tops in that regard. I went with the Rodenstock Digital, because somewhere I read that Rodenstock improved their digital lenses to deal with that digital backs can accommodate higher resolution than film. Sounds promising. I might be able to get tack sharp images on a film back with a lens that is really meant for digital. Or have I gone and made an expensive experiment into an obscure setup.
I rarely read any personal experiences with a Horseman 612 and Rodenstock setup. Sounds pretty exotic. Would love to here if anyone has anything to pass along, with my recent endeavor. I do like wides, and I have been patiently looking to get into 6x12 or 6x17.
Diving into the deep end of panoramic , albeit probably doing it all wrong.
Marc
sailronin
Established
Congrats on the Horseman 612, I was really tempted to buy one but waited too long and it sold.
You will probably need a center ND filter for the 55mm on 612. Any extreme wide angle lens has light fall off so unless you like lots of vignetting (could be desirable for B&W) look into a good filter.
Have fun
Dave
You will probably need a center ND filter for the 55mm on 612. Any extreme wide angle lens has light fall off so unless you like lots of vignetting (could be desirable for B&W) look into a good filter.
Have fun
Dave
axiom
Non-Registered User
For its true image circle, you can find out with a ground glass.
I always read the 'digital' label as some sort of more asymmetric design, which often poses greater challenges than designing a symmetric lens, in this case the APO Grandagon. So I ain't entirely sure about the digital versions being sharper.
Or perhaps I just wanted to protect my choice of SW612 + APO grandagon 45mm
I always read the 'digital' label as some sort of more asymmetric design, which often poses greater challenges than designing a symmetric lens, in this case the APO Grandagon. So I ain't entirely sure about the digital versions being sharper.
Or perhaps I just wanted to protect my choice of SW612 + APO grandagon 45mm
kuzano
Veteran
somewhat interesting review at Luminous Landscape
somewhat interesting review at Luminous Landscape
http://www.luminous-landscape.com/reviews/cameras/horseman_612.shtml
Doesn't sound as if you're doing it ALL wrong.
somewhat interesting review at Luminous Landscape
http://www.luminous-landscape.com/reviews/cameras/horseman_612.shtml
Doesn't sound as if you're doing it ALL wrong.
mrisney
Well-known
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