Kolame
Established
The "Lomography" people will buy Kodak's B&W and then charge three times the price for it... or more. 😉
After putting it into an oven at 100°C for an hour 😉…
The "Lomography" people will buy Kodak's B&W and then charge three times the price for it... or more. 😉
Sorry, this is complete and utter twaddle. In what way is the disappearance of ANY medium good for ANY art? Does everyone want 'interactive' photographs, whatever they may be? And are you utterly unfamiliar with 'creative tension', or of choosing a medium and working with it? YOU don't like it, and you therefore presume to tell EVERYONE what to do.
Cheers,
R.
Furthermore there are
Filmotec (Germany)
Shanghai (China)
Tasma (Russia)
Ilford Suisse (Ilford Micrographic color film).
Why bother imitating Tri-X?
If you want something to look like Tri-X, then use Tri-X.
Did we not learn anything at all from the pictorialists? Use a medium to its best advantage. Contriving ways to make it look like something else is a waste of time and of the process's inherent qualities.
Or simply, if you want something to look like it was rendered in charcoal, get out the charcoal, not the water colors.
Aren't you forgetting Ferrania? They still make 35mm color film, unless they called it quits. (In fact they may be the only ones making color print film in 100 ASA these days?)
As far as my own modest aesthetic requirements are concerned, I think I can live without Tri-X with no problem... This sample picture is a digital conversion, it might not hold up to pixel peeping but to me it looks Tri-x'ish enough. The method of conversion takes less than five minutes... And I can apply the same conversion preset to other RAW files which gives me consistent look... And this is a RAW from a two year old p&s...
The look of b&w photograph is a standard set by b&w film and tri-x especially, so unless a new look is invented this standard has to be followed for those who're after this particular look.
Colour print film at 100 ASA in production, Kodak Ektar, Fujifilm Reala, AgfaPhoto Vista. There are also some Lomography ones, but they are probably the Agfa emulsions.
Yes and the pictorialists thought photographs should look like paintings because that's what people were used to.
Then photographers realized that they ought to just get on with what photography does, and forget imitating other mediums. 😉
In other words the less digital photographers focus on imitation, the faster the inherent visual qualities of digital will be accepted as "normal".
The look of b&w photograph is a standard set by b&w film and tri-x especially, so unless a new look is invented this standard has to be followed for those who're after this particular look.
I can get the same look with film and with digital (at least 85% with digital). That 15% is lost in computer monitors and something that future software will take care of... The expense and time for film also makes that 15% acceptable, and before someone jumps about film being cheap, I should say that I'm not one-roll-a-month photographer, I shoot a lot because I'm not good enough to "get it" in one shot...
Have you ever seen a good black and white silver halide print, let alone made one? Yes, it's very easy to make a mediocre imitation that looks OK on a computer monitor. But it's very, very difficult to duplicate the look of a good wet print for even a modest range of subjects, and (I suspect) impossible to do it with all of them.
Cheers,
R.
I really hope Kodak comes through this . . .
Have you ever seen a good black and white silver halide print, let alone made one? Yes, it's very easy to make a mediocre imitation that looks OK on a computer monitor. But it's very, very difficult to duplicate the look of a good wet print for even a modest range of subjects, and (I suspect) impossible to do it with all of them.
Cheers,
R.
What ever happened to the notion of craft for the sake of personal satisfaction?
One may make a nice rocking chair by hand just to sit in and be satisfied that it was made by hand, by oneself.
The same goes for photography. Why do we all need to have others pay attention to us and what we make? Perhaps a lot of us are very happy with creating "squat" for the sake of its creation and participating in the craft from beginning to end.
Phil Forrest
What ever happened to the notion of craft for the sake of personal satisfaction?
One may make a nice rocking chair by hand just to sit in and be satisfied that it was made by hand, by oneself.
The same goes for photography. Why do we all need to have others pay attention to us and what we make? Perhaps a lot of us are very happy with creating "squat" for the sake of its creation and participating in the craft from beginning to end.
Phil Forrest
My satisfaction is going out, walking for hours, and trying to capture something that satisfies me... Sitting on my bum in front of the fire and admiring prints is not for me...
You'd rather sit on your bum and admire the limited tonal range and graduation of a computer monitor?