coelacanth said:It doesn't really have to be with a Hassy.
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Hasselblad 503 CW, Planar 100/3.5 CF, Across, Prescysol EF
The SWC shot of fireworks in Monaco, was made on Tri X in Prescysol EF.
As to the scanners, Sanders is so positive about flatbeds, because he prints in the darkroom, and he has not tried a decent dedicated MF film scanner like Nikon CS9000 or an Imacon, that do not exaggerate grain. If you actually use a hybrid workflow and print digitally, the flatbeds are reducing the MF quality by one format, so to get a MF quality you would have to shoot 4x5.
Not to hijack but is there an MF film scanner that doesn't cost thousands? I would love to have one but I can justify the cost of a 9000 at this point.
This flatbed story seems to be an obsession.
I have both the V750 and the Nikon CS9000. The strong point of V750 is, that it does not resolve enough to see the grain, therefore in B&W the results are actually quite pleasing, provided you do not enlarge more than 6 times.
For who cannot afford a Nikon CS 9000, I suggest to sell MF gear and concentrate on improving 135 format quality - it can be very satisfying, or to use a cheap flatbed for proofing, and scan a few best frames a year in a pro lab.
Flexaret & foma 2oo & D76 & Epson 4990