robertdfeinman
Robert Feinman
Before the internet people shooting photos had limited opportunities to display their work. Many didn't really try. The popularity of 35mm transparencies, for example led to the dreaded "slide show" when visiting such people.
Many people made prints and darkroom use was fairly high. The advent of home color processing made color prints an option as well. If you shoot a lot and want to make prints you quickly run out of time to print (and process) them as well as a place to store or display them.
Those who try to make a living off print sales are faced with other problems, especially finding venues in which to display and sell their wares. Such photographers end up being salesmen and promoters to a larger extent than they might wish. They also may not have good skills in this area. Once your aim is sales you find yourself shooting what will sell rather than what you wish. This makes one not much different than commercial photographers who shoot on assignment.
So many photographers end up like unpublished novelists. The book is written, but no one sees it. The internet has changed all this.
For very little money one can now put one's images online. Those who are primarily interested in the content use services like Flickr to show off their lives and travels. But those who want more control over presentation can set up their own web site.
Going this route presents new challenges. For decades there have been discussions over the best film or paper to use as well as subtle issues like choice of developer. Books and magazines are filled with these topics. The advent of digital has only expanded the range of discussions. But the people reading the discussions or viewing the images aren't seeing the actual physical object. They are seeing a version created by a printing press or, now, on a computer screen. What's the point of selecting a specific paper surface if no one is going to see it? Many of the aesthetic choices end up as limited as the old days of the home darkroom. If you are going to display online, then one should produce a version optimized for this medium, with all its own limitations of size, resolution and color range. And, unlike the printed page, there isn't even any control over the color reproduction settings of the viewer's monitor.
So, if you have an internal vision of what you want your physical image to look like and the possibilities for others to see it are limited, what do you do? Do you stick with your standards and put your print in a box, or do you compromise your vision to reach a wider audience?
If no one sees it, is it art?
Many people made prints and darkroom use was fairly high. The advent of home color processing made color prints an option as well. If you shoot a lot and want to make prints you quickly run out of time to print (and process) them as well as a place to store or display them.
Those who try to make a living off print sales are faced with other problems, especially finding venues in which to display and sell their wares. Such photographers end up being salesmen and promoters to a larger extent than they might wish. They also may not have good skills in this area. Once your aim is sales you find yourself shooting what will sell rather than what you wish. This makes one not much different than commercial photographers who shoot on assignment.
So many photographers end up like unpublished novelists. The book is written, but no one sees it. The internet has changed all this.
For very little money one can now put one's images online. Those who are primarily interested in the content use services like Flickr to show off their lives and travels. But those who want more control over presentation can set up their own web site.
Going this route presents new challenges. For decades there have been discussions over the best film or paper to use as well as subtle issues like choice of developer. Books and magazines are filled with these topics. The advent of digital has only expanded the range of discussions. But the people reading the discussions or viewing the images aren't seeing the actual physical object. They are seeing a version created by a printing press or, now, on a computer screen. What's the point of selecting a specific paper surface if no one is going to see it? Many of the aesthetic choices end up as limited as the old days of the home darkroom. If you are going to display online, then one should produce a version optimized for this medium, with all its own limitations of size, resolution and color range. And, unlike the printed page, there isn't even any control over the color reproduction settings of the viewer's monitor.
So, if you have an internal vision of what you want your physical image to look like and the possibilities for others to see it are limited, what do you do? Do you stick with your standards and put your print in a box, or do you compromise your vision to reach a wider audience?
If no one sees it, is it art?