JoeV
Thin Air, Bright Sun
I'm interested in this thread because of the dichotomy between craft and art. I think, at best, the two are inextricably intertwined - their interface cannot be easily resolved.
I'm currently going through a down period in my silver gelatin craftsmanship. The output of my darkroom is mainly scrap paper for the waste bin. But at least I can recognize it as such, instead of deluding myself into thinking that poor technical execution is "art."
I think it's possible to have this problem regardless of what kind of photographic technology one employs. The important thing is having high enough standards to know when good enough is good enough. The danger of an over-reliance on the technology of photography is that it can remove us from having our hands in the mix, it erodes our craftsmanship. We need to stay close to our materials and methods to maintain a high standard of quality, regardless of which imaging path we choose to employ. It has always been that way with art; an artist-artisan intimately knows one's materials and methods.
~Joe
I'm currently going through a down period in my silver gelatin craftsmanship. The output of my darkroom is mainly scrap paper for the waste bin. But at least I can recognize it as such, instead of deluding myself into thinking that poor technical execution is "art."
I think it's possible to have this problem regardless of what kind of photographic technology one employs. The important thing is having high enough standards to know when good enough is good enough. The danger of an over-reliance on the technology of photography is that it can remove us from having our hands in the mix, it erodes our craftsmanship. We need to stay close to our materials and methods to maintain a high standard of quality, regardless of which imaging path we choose to employ. It has always been that way with art; an artist-artisan intimately knows one's materials and methods.
~Joe