I like HP5 over the others for this simple: you can always add constrast, but you cannot take it away. You do get the inside and outside pretty significantly. If I were printing it, I would try to make the trees a theme, white out the street-- and actually go back for more shots when there are more people to create some drama.
This requires printing of course. As I am learning, the digital scanning of b&w negatives is a wholly disspointing experience.
I am personally in a quandry right now. All my projects are done. I would like to go and re-do a cemetery that has been abandoned <somewhere in NYC, which I won't disclose> in HP5.
I actually have Suzanne Vega (my name is luka) living in my parents' apartment building, and the commerical (and no doubt digital) photogs are butchering her face. She is actually petty hot, but you would not know it from their work-- all of them, they suck.
I really want to approach her about it, but I am shy. Not because I am a shy person (I am not, I would rather go out and kick the mayor's ass), but because I have never planned a shot in my life-- that would be like Capa planning a war, or Lange planning a depression.
I took pictures of a junkie friend/patient of mine just before he started shooting speed --which landed him in the mental hospital and out of reach of my lens. I did it with both film in a Nikon, and electrons in my kodak c875. I think the film may have gotten over heated in my car, but still the comparison is significant.