Brick33308
Member
Oh thank goodness you’re not one of the dreaded amateurs and wanbabes, and are able to educate everyone with your pronouncements of what constitutes good and bad photography
Oh thank goodness you’re not one of the dreaded amateurs and wanbabes, and are able to educate everyone with your pronouncements of what constitutes good and bad photography
Shot wide open in bright light. I’ll be sure to let everyone on Fred Miranda who praised it know that you’ve labeled it a miss
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I owned two 35mm pre-asph Summilix examples back-to-back many years ago. Bought the first one and sold it believing there was something wrong with it. When the second one behaved the same way I realized there was nothing "wrong" with it at all.I hate my version 2 wide open. If the new one is still so glowy I’m not interested.
From you? I’ll pass.
Since you’re so fond of last word retorts, I’m still breathlessly awaiting your explanation why are you own not one, but two, lenses who’s wide open characteristics you abhor
The owner of five Ferraris doesn’t have to explain anything, although if he trashes Ferraris on a forum dedicated to them, one would expect him to explain away the irrationality.The owner of five Ferraris doesn’t have to explain anything, although if he trashes Ferraris on a forum dedicated to them, one would expect him to explain away the irrationality.
And saying “life is short” to explain the logic of owning two lenses that you abhor really explains nothing at all.
For rationality’s sake; a summilux lens has 8 solid f stops. Not liking one but liking the remaining Seven would score a rating of 87.5%.
Add 5% for handling and 5% for liking the looks of it, brings it to a total of 97.5%.
Wow, look at this: rationality won. 97.5%.
There are other things than the wide open fad. Yes, and I am sorry, but to me it is a fad and it is a sign of amateurim to be stuck at shooting wide open. There is a thing called composition that outweights EVERYTHING else!
I bought it because I had wanted that lens for years. And stopped down it’s sharp and straight. And it’s very compact. And if I sell, which I very well might, I’ll make a profit.of course it is. If you hate the look so much it was kind of goofy that you bought it with this well known attribute, especially when there are so many other 35 lenses that don't have the glow. Unlike you, MANY others like that glow.
Very odd.
Yes, another reason I bought the Summilux. It took me back to when I was 17 and I too mostly shoot f5.6. I like the lower contrast. It’s compact, and elegant. I’ve gone and lost the hood like a pro too. And no filter suits me fine. Life is short. It’s hardly been off my Monochrom sine I got it. I like this little lens and its history. But I keep away from f1.4. My other constant lens I shoot wide open always, the Summaron M 28 f5.6 on my M9-P. Didn’t need the M9-P version of the M9 but it’s so like my M2 and certainly didn’t need that slow 28. But as you say, life is short.How can someone who owns 5 ferraris explain… no, why does one who owns 5 ferraris have ti explain anything to anyone?
I agree, this is not ferrarri. But I believe that one answer would suffice: because life is short,
I like the steel rim reissue because I see it as an all purpose 35mm lens. Wide open it creates a glow that yes isn’t everyone’s cup of tea, but I’m wild about it (brings me back to the 70s when I shot Tri-X with a Conin AE1). But stopped down past 2.8 and it becomes a beautifully sharp and rendering lens.Yes, another reason I bought the Summilux. It took me back to when I was 17 and I too mostly shoot f5.6. I like the lower contrast. It’s compact, and elegant. I’ve gone and lost the hood like a pro too. And no filter suits me fine. Life is short. It’s hardly been off my Monochrom sine I got it. I like this little lens and its history. But I keep away from f1.4. My other constant lens I shoot wide open always, the Summaron M 28 f5.6 on my M9-P. Didn’t need the M9-P version of the M9 but it’s so like my M2 and certainly didn’t need that slow 28. But as you say, life is short.