helen.HH
To Light & Love ...
hats off to ya, Gabor
I simply ADORE this... ahhh, too much, Life's excess :angel:
maddoc
... likes film again.
hats off to ya, Gabor
I simply ADORE this... ahhh, too much, Life's excess :angel:
Thanks Helen, in Tokyo not such a rare view ...
maddoc
... likes film again.
Zeiss Ikon, 35 Summicron 1st version, Fuji Pro 400H
My turn next!

My turn next!
M2, 35 Summicron 1st version, Ilford XP1
Suwannee

Suwannee
George Bonanno
Well-known
I personally find this picture despicable. What does this picture show that is adorable ? Or for that matter “great stuff” ? A common scene showing someone else's discomfort without any merit whatsoever.
Carry on !
Aaron04
Member
^ I find the composition with the flowers showing life and vigor, next to the drunk guy in a suit. I like it. It's not like it's depicting a dead or injured person.
maddoc
... likes film again.
^ I find the composition with the flowers showing life and vigor, next to the drunk guy in a suit.
That`s what I thought, too. What exactly is despicable in this photo?
George Bonanno
Well-known
Surly you jest maddoc. I interpret your interest in taking pictures of the unfortunate as humorous to you (and others). Besides, what does composition have to do with a picture depicting meanness on your part ? I’m exhausted of pictures taken in this manner. I realize you need to defend yourself and justify your picture however a moronic critique is no reason to reject a personal opinion.
Keep in mind critics are your friends. People who are complementary are for the most part... back stabbers.
Keep in mind critics are your friends. People who are complementary are for the most part... back stabbers.
DwF
Well-known
Good discussion
Good discussion
I find this picture is very striking on a formal/compositional level. And given the anonymity of the subject in the foreground slung over the railing, it comments on the human condition rather than poking fun at the subject maliciously. For myself the stronger aspect is the purely formal level because there is power in the body slung over in contrast to the gentleman in the background poised very upright and framing the image.
David
Good discussion
I find this picture is very striking on a formal/compositional level. And given the anonymity of the subject in the foreground slung over the railing, it comments on the human condition rather than poking fun at the subject maliciously. For myself the stronger aspect is the purely formal level because there is power in the body slung over in contrast to the gentleman in the background poised very upright and framing the image.
David
maddoc
... likes film again.
Surly you jest maddoc. I interpret your interest in taking pictures of the unfortunate as humorous to you (and others). Besides, what does composition have to do with a picture depicting meanness on your part ? I’m exhausted of pictures taken in this manner. I realize you need to defend yourself and justify your picture however a moronic critique is no reason to reject a personal opinion.
Keep in mind critics are your friends. People who are complementary are for the most part... back stabbers.
There is fine line separating photos of unfortunates taken for the purpose of showing the sensational aspect of unfortunate only on the one hand and showing them in a context on the other hand. Here in Japan a flower decoration as in the department store window has almost a spiritual aspect of the traditional Japan, a salary man in a suit on the other hand symbolizes the well-organized business structure of the modern Japanese society. A drunken Japanese salary man in a suit slumped over the guard-rail is a contrasting juxtaposition in my interpretation.
Yes, this is how I interpreted the photo... I immediately recalled the Japanese movie "Shall We Dansu" that in part illustrates the after-hours socializing of the salary man... and how in at least some cases is done to excess.There is fine line separating photos of unfortunates taken for the purpose of showing the sensational aspect of unfortunate only on the one hand and showing them in a context on the other hand. Here in Japan a flower decoration as in the department store window has almost a spiritual aspect of the traditional Japan, a salary man in a suit on the other hand symbolizes the well-organized business structure of the modern Japanese society. A drunken Japanese salary man in a suit slumped over the guard-rail is a contrasting juxtaposition in my interpretation.
Let us remain respectful in our comments...
music_healing
Well-known
Daily Afternoon Activities
Daily Street in Jakarta by William Jusuf, on Flickr
Summicron 35 V1 and Leica M2
Kodak Eastman Double X 250 push to 640 with D76
Sincerely
William Jusuf

Summicron 35 V1 and Leica M2
Kodak Eastman Double X 250 push to 640 with D76
Sincerely
William Jusuf
Chris Bail
Regular Guy
The Titanic as a Children's play slide

2014-15, Leica MP, Summicron 35mm f2 v3, Arista Premium 100 - 22 by Chris Bail, on Flickr

2014-15, Leica MP, Summicron 35mm f2 v3, Arista Premium 100 - 22 by Chris Bail, on Flickr
WJJ3
Well-known
dannyChou
Well-known
music_healing
Well-known

Summicron 35 v1 googled with M3
Kodak Eastman Double X 250
Sincerely
William Jusuf
tuanvinh2000
Well-known
tuanvinh2000
Well-known
chris91387
Well-known
Zeiss Ikon, 35 Summicron 1st version, Fuji Pro 400H
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My turn next!
i love this. it's very Norman Rockwell
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