Loading my IIIc: need help...

Pfreddee

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I'm doing something wrong, I think, but I can't quite figure it out.

I have the leader cut longer, and I've threaded it onto the take-up reel, and inserted both the cassette and the take-up reel into the camera body. The problem comes when I wind on and trip the shutter twice, and then I'm ready to shoot...except sometimes I'm not. I have had a roll of film with no images on it, I believe the sprocket wheel didn't engage.:bang:

And then, occasionally the sprocket wheel does engage.:bang: I do know that if I can see the rewind knob rotate when I wind on, everything is working as it should.

So, what do I need to do to make sure that the sprocket wheel is doing its job?

When I load the camera, I follow the correct method of loading, no poking the film through the shutter aperture, no business cards to force things, no improper technique, no magic words Sgt. Hughes taught us in Basic. What am I missing?

Thanks to all who reply.

With best regards.

Pfreddee (Stephen)
 
After loading look and see that the film has in fact engaged the sprockets. You may have to slightly rewind the film a bit to get it to slip home..
 
Agreed. You can see the film engage the sprockets as you slowly turn the advance, but you need to peer down into the camera, with good light, e.g. next to a window. They actually load the same as an M, just no back door.
 
I'm doing something wrong, I think, but I can't quite figure it out. I have had a roll of film with no images on it, I believe the sprocket wheel didn't engage.:bang:

The advice about checking sprocket wheels is all good, but I also once had a completely blank film and I found that the leader had not stayed in the clamp on the takeup spool, but had slipped out on the first wind-on and, if I recall, the sprocket teeth had torn the film edge just a little and thereafter continued to rotate but without engaging the holes in the film.

I didn't find this at first as I had fully rewound the film into the can, but when I inspected the film closely after developing it I found the culprit. The clamp was OK - I just hadn't made sure to insert the leader as far as it would go so it was tight. Never had another problem once I realised that
 
I had the same problem. Now instead of cutting a long lead, I sacrifice two frames of the film. I pre-rolled the film onto the spool. Insert and voila. Done. Shoot.
 
The spool will never pull the film through the camera, it's not even designed to do that. It is only there to "take up" the loose film driven through the frame by the sprockets.

The only answer is to ensure that the sprockets are engaged correctly, if that means losing an extra shot, I think that's a small sacrifice.
 
John has explained the role of the take-up spool succinctly.

Strange. Most of the time I'd get an extra frame instead of losing one. All I can suggest is that after replacing the bottom plate, you should take up the slack in the film by using the rewind knob. A tight length of film might be more easily caught by the sprocket teeth.
 
Like Raymond said.
Plus - check to make sure the rewind knob is moving BEFORE you replace the bottom plate.
Then, check it as you advance your film two more times.
You don't even have to look at it... just keep one finger lightly on the r/w knob as you wind the advance knob.
 
I had the same problem. Now instead of cutting a long lead, I sacrifice two frames of the film. I pre-rolled the film onto the spool. Insert and voila. Done. Shoot.

The sprocket is what pulls the film through. The take-up spool only holds the film and is designed to slip if say the film is too tight.

Doing it your way can cause problems if the film is loose on the take-up spool when you insert it into the camera.

The process is very simple...slip the trimmed leader into the clamp on the take-up spool..insert both cassette and take-up spool into the camera..then slightly wind while watching to see if the sprocket engages the holes on the film. Once done replace the bottom cover and wind the rewind knob till the film is snug and advance while watching to see if the rewind knob is turning.

I get 37 frames doing it this way..
 
Hi,

I have never had a problem loading a screw mount. I don't cut the film. I push the leader into the spool, set the camera to T, remove the lens, open the shutter and guide the film in place with my finger. I then advance the film to see if everything is moving properly. Total time is under a minute and I have never had a problem.


Yes this may work, but have you thought of the following?-

1. You actually put the camera to more potential of damage or if not damage it altogether. In many of the older bottom loaders I've seen, the pressure plates had finger prints almost permanently etched on them.

2. Cutting the film leader to proper shape is easier. That's all that a bottom loading camera needs.

3. The correct method only needs the baseplate and spool to be removed.
And loading can be done in about 20 seconds. I know people who can do this in 15 sec. My record is 9 seconds.😉

4. You'd need a table, a surface, extra pockets or hands for the removed lens, baseplate, etc. Removing and replacing extra parts whilst on the field or in situations where fast film loading is needed.

5. The 'alternate method' you propose may actually need twice as many steps than the correct method. For instance, shifting the shutter to T, winding to open the shutter, then winding again to close it and finally take the dial off T are already 4 extra steps before the film is even introduced. Guiding the film with your finger is another extra step, and is potentially damaging to the pressure plate.
 
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Thanks you very much for your information on Bottom loading ,I have not problems with my FED-2 but have never do a Leica before so your info will help me a lot :sqjaw

Welcome, sqjaw. FED-2 load almost conventionally- from the back, and no long leader cut is required. Most FED-2 do have removable spools though which are handled like the spools of the bottom loaders.
 
I have loaded my IIIa on a moving NYC Subway train using my method with no problems. It works for me and is fast. I don't touch the pressure plate with my finger and often don't need to touch the film either. I like to leave the shutter open, so I can visually confirm the film is loaded properly. Sometimes the film will need to be guided in place and sometimes not. I have never caused damage to any of my cameras.

I don't think there is really any 'correct' way to load it. I think the method that works the best for you is what you should stick to. As for 'extra steps', I don't considered putting the camera on T and removing the lens to be any real time killer. I could see your point if your method took seconds and mine took minutes, but I can load one of these cameras in under a minute. Probably the same amount of time it would take to load the M. I have never had a problem with the resulting images and have always gotten 36 frames per roll.

You mention that loading the camera in 15-20 seconds. Did you include the time it took to cut the leader?

If you consider the documentation (official instructions, originating from the people who designed or made the camera) which came with the camera, or the illustration at the bottom of the shutter crate, the loading method described therein would be the correct one.

I precut the film in batches, long before they're loaded. If I anticipate heavy usage with a bottom loading camera, I just cut ALL my film leaders to the correct shape. So the time spent in cutting is no longer part of the loading process. The timing starts when the film on hand, just as the baseplate is removed.

I do doubt though if an alternative method which involves

1.remove the lens
2. look for place to put lens in
3. take out film, pull out leader
4.set shutter to T
5. pull out takeup spool
6. insert film leader to spool clip
7.cock shutter
8. open shutter
9.shove film with spool through bottom
9. thrust finger into lens mount to coax film in place
10.wind film to see if threads
11. coax further as the film is threaded
12. close shutter
13. move dial from T to facilitate the 2-3 blank firings
14. look for/ retrieve lens
15. remount lens
16. replace baseplate.

can really work in times where you need to really move quickly than the official method which involves

1. remove baseplate, slip in pocket
2. pull out take up
3. pull out film leader
4. insert leader to film clip
5. insert film cassette and takeup in the camera
6. turn the winding knob
7. check if the sprocket holes engage with the teeth
8. replace baseplate
 
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The manuals which come with automobiles don't really teach you how to drive. It is an assumption that you already know that. Loading Leicas and driving cars are not in the same vein.

It is really more about efficiency, not speed, which is at the core of the 'correct' vs 'alternative' methods.

The poster in the OP, as I understand it, was asking why his camera still wouldn't load even if he (thought) that he followed the instructions. Quite normal for starters. Bottom loading is a lost art, and largely non-intuitive for those who are unfamiliar with it.

By keenly looking at the steps and noting those which had been missed, the second roll should be successful. And he may master the process by the third.
 
return the rewind lever to advance, take slack up on the film with the rewind crank, wind the advane knob and you should see the film spool being turned from being pulled.

1/4 turn is all it takes to see this.

Now replace the bottom and watch the rewind spool off film as you spoolmoff two blank frames.

Sometimes I have to push the film well into the take up spool although that does not actuall pull it.

I think the KEY is to have no more than 1/8" film outside the cassette when you drop it in otherwise it tends to get stuck.

ALWAYS observe the first 6 frames with the rewind on any 35mm camera.
 
I don't cut my bulk loaded film, I do take the lens off, I touch the pressure plate and the film when I feel I need to and both my shots and me are fine.

Keeping your fingers off the film is useless, it's a light exposed leader part you're looking at, why not touch it when needed? How can you damage the pressure plate by touching it? Its made from metal and you're not acid or anything. Etched fingerprints (show me, I'd like to see that!) IMHO mean 'my camera', not 'ruined shots'. It's not like you're stacking cases of beer on top of it, a simple fingerprint will not ruin anything.

If you want to shoot fast, bring a DSLR. Barnacks take time. Watch the world go by as you reload, you'll notice everything has its course, whether you shoot it or not. You'll have fond memories of things you saw, but did not shoot. It does not matter much.

Ricks advice to keep a finger gently along the rewind knob to feel it rotate is a sane one, I feel its almost reassuring to wind on and feel the knob rotate and to know the next frame lines up behind the curtain.
 
I don't cut my bulk loaded film, I do take the lens off, I touch the pressure plate and the film when I feel I need to and both my shots and me are fine.

Keeping your fingers off the film is useless, it's a light exposed leader part you're looking at, why not touch it when needed? How can you damage the pressure plate by touching it? Its made from metal and you're not acid or anything. Etched fingerprints (show me, I'd like to see that!) IMHO mean 'my camera', not 'ruined shots'. It's not like you're stacking cases of beer on top of it, a simple fingerprint will not ruin anything.

If you want to shoot fast, bring a DSLR. Barnacks take time. Watch the world go by as you reload, you'll notice everything has its course, whether you shoot it or not. You'll have fond memories of things you saw, but did not shoot. It does not matter much.

<snip>

You miss the entire point here. Where was it that I referred to shooting fast? Or the need to do so? That wasn't the topic in my post. It's about getting the camera ready as quickly as possible through proper and efficient film loading.

1. As mentioned earlier, it's not about speed - it's about efficiency. Removing more parts from the camera than needed- is that really better?

2. It's not about touching the film. No one has asked to be concerned with that exposed leader. It's the risks posed by sticking the finger inside the camera's throat. From where I come from, poking fingers inside cameras is generally not considered as good.

3. You ought to get in a few of these cameras yourself to see what I mean. The pressure plate may be of tough metal. But the springs that support them aren't. Granted that it may take a lot of shoving with fingers to really effect a change in those springs, still the possibility is there. When these springs lose their power to push the pressure plate up, what do you suppose happens to the needed 28,8mm +/- 0,2 mm flange to focal value which must be maintained over an area of 864 mm?

One or two or even three tries may not damage the springs. But do it all the time, and it becomes a possibility. I've seen such flattened springs in two Shanghai-58, and a Canon II.

4. I have restored perhaps 40+ FED, Zorki, Canon, Shanghai, and Leica. A lot of them have tarnished pressure plates. Some have finger-print patterns which can't be wiped off. Oily/acid/salt residue can react with the metal surfaces.

I don't photograph the pressure plates much, but here are two photos of PP's with damaged surfaces. The first one is from a Leica which had (not visible, right, shiny part) such prints on the pressure plate. The round PP (from a FED-1) has two places where finger prints once were. The two springs to its right can be easily flattened with finger pressure alone.

384672822.jpg


384672823.jpg


You can go to my FED Zorki Survival Site if you want to see the insides of a Barnack type http://jay.fedka.com/index_files/Page455.htm

or Leica IIIf restoration at http://www.zorkikat.com/basic-leica-fix-№1-bringing-a-leica-back-from-the-dead/157/


If you don't like cutting leaders in the shape they're supposed to be for bottom loaders, would it not be better for you to stick with back-loading cameras instead?🙄
 
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