Looking for the "old look" in a 50mm

Leica M3, 50mm f/2 Summicron rigid first type, TriX printed on Ilford MGIV fb.

Erik.

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I should think that you would find either the Rigid or Dual Range Summicron the most useful.

A Jupiter lens is worth a try though.
 
I like the early uncoated Elmar. It's a classic Tessar design, difficult to use but rewarding.

The Canon 50/1.4 will "glow" wide open, but is also quite sharp. I've heard that it is a Xenon design.

The Summilux 50/1.4 is very sharp wide open, very shallow dof, but it's too modern for "glow". It's a really great lens.

I don't like the Summitar personally, but I've seen a lot of nice photos that were taken with it.
 
I don't like the Summitar personally, but I've seen a lot of nice photos that were taken with it.[/quote]

Have you used a Summitar?
 
I have found the Summitar to be a splendid lens but it seems to get little respect compared to the other Leitz offerings.....good luck with yours dog.
 
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50mm f2 Summicron shot at f2. Using XP2 and yellow filter. It's the version of Summi that is rigid and has the locking infinity button. Sorry I'm just not up on all the lens lingo.
 
Thanks Dave. I printed it the other day on ADOX FB and it looks really nice. An 11x14 would not be out of the question.
 
For "old looks" I am partial to Vario-Lightroomicron.

You can make anything looks old with presets. :p
 
summarit 50mm f1.5 from 1953, LTM

summarit 50mm f1.5 from 1953, LTM

#1 is from an m3/summarit 50 on velvia 100, at f1.5
#2 is from an m8/summarit 50 at f2.8 or 4, no code or filter.

either way, it's worth including in a list of candidates with an "old look" :)

greetings from hamburg

rick
 
Why difficult to use?...I did'nt like sticking my finger in the front - to adjust the diaphragm....but that's about all! :confused:
Dave.

I found I had to work with different films and apertures to get the look I wanted, because of the low contrast. It also flares really easily so I have to be more careful about where the light's coming from. Also it's really slow.
 
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