Erik van Straten
Veteran
Really? I think that's the M4.
No, the M5 was the last Leica made in the classical way in Wetzlar by Leitz trained technicians.
Erik.
Really? I think that's the M4.
No, the M5 was the last Leica made in the classical way in Wetzlar by Leitz trained technicians.
Erik.
Right, but I'm not so sure it's a classic.
The M5 was such a colossal failure that it almost destroyed the company. Bringing back the M4 saved it. Case closed.
In fact the M5 was well under way when Leitz introduced the M4. Leitz introduced the M4 because the M3 was too expensive to produce and to sell. Many people bought a Japanese SLR in those days. The M2 sold better. The M4 is only an updated M2. It took Leitz much longer to introduce the M5 than anticipated. There are prototypes of the M5 with the indication "M4" on them, so from before 1967. The M5 was introduced four years later.
Erik.
there was a time when it seemed to be hated.
I remember the time before the M6 was introduced. In those days a ten year old M5 was more expensive than a new M4-P. It is going up and down with the M5!
Every Leica film enthusiast should at least try the M5. The M5 is in fit and finish a grade higher than the other M cameras. The frames in the viewfinder are just perfect. The lightmeter gives more information about the light than the lightmeter of the M6 and is never distracting. The meter is just there if you want to consult it. You can read the shutterspeed in the viewfinder. You can change the shutterspeed without taking the camera from your eye. The release of the shutter is smoother than that of the M6. You can use all intermediate speeds. Loading and rewinding the film is faster (if you know how to do it). The pictures are sharper because there is less shutter vibration. It is simply a better camera than the M6. Watch out, when you try it you are addicted. See the work of the great Japanese photographer Junku Nishimura. He too uses the M5. The rangefinder never flares. 1/8 sec is easy done handheld. There is a self timer. The frame counter has white numerals on a black background, reads much easier. There are no double frames in the finder.
Erik.
The M5 was a commercial failure, not a technical failure. Its market was destroyed by the stupid move from Leitz to introduce the CL. The CL was bought by many potential M5 buyers, but it was in fact an unreliable product from wich Minolta profited more than Leitz.
Erik.
The last problem is that the cameras before S/N 135,xxx can potentially have serious manufacturing issues.
Every Leica film enthusiast should at least try the M5. The M5 is in fit and finish a grade higher than the other M cameras. The frames in the viewfinder are just perfect. The lightmeter gives more information about the light than the lightmeter of the M6 and is never distracting. The meter is just there if you want to consult it. You can read the shutterspeed in the viewfinder. You can change the shutterspeed without taking the camera from your eye. The release of the shutter is smoother than that of the M6. You can use all intermediate speeds. Loading and rewinding the film is faster (if you know how to do it). The pictures are sharper because there is less shutter vibration. It is simply a better camera than the M6. Watch out, when you try it you are addicted. See the work of the great Japanese photographer Junku Nishimura. He too uses the M5. The rangefinder never flares. 1/8 sec is easy done handheld. There is a self timer. The frame counter has white numerals on a black background, reads much easier. There are no double frames in the finder.
Erik.
Question for you M5 folks:
Is there a workaround to carry a 2-lug version horizontally, or is a 3-lug model required? Thanks.
John