Bill Pierce
Well-known
When autofocus is linked to the shutter release, it annoys me. Convenient and beneficial as non continuous autofocus is to quickly making a single shot, trying to keep the focus locked by keeping shutter button half depressed over a longer shooting session with changing framing is not simply inconvenient, it’s near impossible. I guess that’s why it is called single-shot focusing. Naturally, I have gravitated to moving the focus function from the shutter release to a separate button, i.e. “back button focusing.” I think that’s the way many folks choose to focus these days. Just look up “back button focusing” on the web. It looks like it is a more popular topic than even “raw vs jpg.”
But I find that now there are occasions where I am going even further from the out of the box single-shot focusing. Increasingly, I am using manual focus. There are a number of often mentioned advantages to manual focus. Autofocus systems to varying degrees can be disadvantaged by low light or low contrast subjects. Probably even more important, mirrorless systems in which you are looking at the actual sensor image can with a highly magnified image give you exceptional wide-open focusing accuracy (and in situations where there is focus shift on stopping down also do a pretty good job if the camera’s autofocus doesn’t). For a lot of folks, the ability to adapt older lenses which only manual focus means a lot. None of these are the major reason I have started to use manual focus more often.
If you are dealing with a full frame digital camera, between lens designs that deal with the problems of thick sensor packages and autofocus motors, you’ve got some pretty big lenses. If you are one of those folks that likes to almost always have a camera with you and perhaps an additional lens, even if you are using mirrorless, if you are in full frame, you’ve got an inconveniently large package. Modern manual focus lenses designed for digital cameras can deliver extremely high quality in a small package. For example, Voigtlander offers a number of manual focus lenses for Sony full frame. The 50mm f/2 App-Lanthar is an exceptionally good lens and tiny compared to what you normally see in a slightly faster autofocus. Available in a Leica M mount, it can be adapted to a number of cameras. Word is that they will be introducing a 35/2 App-Lanthar in a month or so. Equally impressive in quality is the Zeiss Loxia line up of small manual focus lenses often thought of as cine lenses, but absolutely solid in the full frame still world. Focal lengths run from 21mm to 85mm. The 85 is only an f/2.4, intentionally “slow” to keep the size down, but that’s what we are looking for. It also makes it easier for Zeiss to design a lens whose wide open performance doesn’t vary much at all from the smaller apertures.
So, there are a lot of reasons for using manual focus in an autofocus world. Size is mine, but there are certainly a lot of others. I wonder what your thoughts are and if anybody else out there is becoming a little bit old fashioned.
But I find that now there are occasions where I am going even further from the out of the box single-shot focusing. Increasingly, I am using manual focus. There are a number of often mentioned advantages to manual focus. Autofocus systems to varying degrees can be disadvantaged by low light or low contrast subjects. Probably even more important, mirrorless systems in which you are looking at the actual sensor image can with a highly magnified image give you exceptional wide-open focusing accuracy (and in situations where there is focus shift on stopping down also do a pretty good job if the camera’s autofocus doesn’t). For a lot of folks, the ability to adapt older lenses which only manual focus means a lot. None of these are the major reason I have started to use manual focus more often.
If you are dealing with a full frame digital camera, between lens designs that deal with the problems of thick sensor packages and autofocus motors, you’ve got some pretty big lenses. If you are one of those folks that likes to almost always have a camera with you and perhaps an additional lens, even if you are using mirrorless, if you are in full frame, you’ve got an inconveniently large package. Modern manual focus lenses designed for digital cameras can deliver extremely high quality in a small package. For example, Voigtlander offers a number of manual focus lenses for Sony full frame. The 50mm f/2 App-Lanthar is an exceptionally good lens and tiny compared to what you normally see in a slightly faster autofocus. Available in a Leica M mount, it can be adapted to a number of cameras. Word is that they will be introducing a 35/2 App-Lanthar in a month or so. Equally impressive in quality is the Zeiss Loxia line up of small manual focus lenses often thought of as cine lenses, but absolutely solid in the full frame still world. Focal lengths run from 21mm to 85mm. The 85 is only an f/2.4, intentionally “slow” to keep the size down, but that’s what we are looking for. It also makes it easier for Zeiss to design a lens whose wide open performance doesn’t vary much at all from the smaller apertures.
So, there are a lot of reasons for using manual focus in an autofocus world. Size is mine, but there are certainly a lot of others. I wonder what your thoughts are and if anybody else out there is becoming a little bit old fashioned.