Minolta SRT's -- Gotta Love 'Em.

[Nokton48]

Black SRT101 50mm F1.4 MC Rokkor and 50mm F1.4 Lenshood Minolta Background by Nokton48, on Flickr

Minolta SRT Copy Stand restored Sony Nex-3 E3.5/30 Macro Original Black Mat, and plastic dust cover marked Minolta. Available light in the copy area. 50mm F1.4 late MC Rokkor with correct 50mm F1.4 MC Rokkor Lenshood. Presently loaded with Ilford Pan F+. Also has original SRT Rubber Eyecup.

 

[AlwaysOnAuto]

Haven't even had a chance to clean up my new to me used black 201!
Film rails look pretty nice, as well as the shutter curtain. Speeds sound good too.

 

[AlwaysOnAuto]

A beauty shot with my less worn 58mm mounted.

It's another 'rescued' lens from a Goodwill camera I bought some time ago.

 

[Nokton48]

New Copy Setup in Studio by Nokton48, on Flickr

I've been copying RC Silver prints in my Enlarging Room, with ambient LED lighting. I have decided to move my Minolta Copy Stand into the studio area, and leave it set up on a permanent basis. From Harbor Freight a rolling cart (I have several), with an Apple Box Riser on the top shelf, makes a strong base with wheels for the copy stand. Easy to move around as I please. Recently donated to me, a pair of Broncolor Impact 300J Impacts, with well used strobe tubes working perfectly, and a nice matched pair. Standard Impact Reflector, attached 3M Polarizing Filters on both lights. Camera for 35mm film is a Minolta SRT-101 with SRT Diopter Eyepiece Correction, SRT Cable Release, 50mm F3.5 MC Macro Rokkor, and 55mm Minolta Hooded Polarizing Filter. All filters set for maximum polarization, lighting balanced to 1/3 fstop with Broncolor Incident Strobe Meter. With Ilford PanF+ rated at EI 25, I'm at F16 without polariizer exposure correction, so I did a bracketed series at 1/2 stops to establish a good baseline. This is a pretty good setup I'm intending to leave up all the time, and it's easily movable.

I also intend to use the setup for copying flat art and I have a Skier Box for digitizing negatives with the same setup. This will evolve.

 

[Duofold RF]

Minolta SRT is a reliable, simple camera. I picked up few from trash can, CLA is relative easy to perform and both 58mm f1.2 and f1.4 have pleasure bokeh

 

[Nokton48]

Jellies 3 SRT100 58mm F1.2 MC Rokkor HP5+ pushed 1600 by Nokton48, on Flickr

Jellies 2 SRT100 58mm F1.2 MC Rokkor HP5+ pushed 1600 by Nokton48, on Flickr

 

[caila77]

I love My SRT 100

 

[MISH]

Love this camera

 

[KoNickon]

I have a few SRTs, but not one of them in black. Very pretty.

 

[CMur12]

Love this camera View attachment 4851492

I, too, am a proud owner of a black SR-T 102. I even have that same 28mm lens.

My two favorite focal lengths are 85mm and 28mm. I have an 85mm f/1.7 early MD that I got new, and I have three 28mm Rokkors: 3.5 MC3, 2.8 MC3, and a 2.5 MC2.

Thanks for showing us yours!

- Murray

 

[Nokton48]

80cm F8 Rokkor Manfrotto Ballhead SRT MLU TX800 by Nokton48, on Flickr


The idea here is my ongoing interest in telescopic photography. A vintage Minolta Black SRT-101 with Mirror Lockup, on a Manfrotto Ball Head, and Manfrotto legs. Shooting Tri-X fresh Bulk Loaded, exposing at EI 800, developing for EI 1600. The intermediate output in a 5x7 Grade 2 RC print suitable for digitally photocopying. Subjects will be Architectural in nature. Camera has SRT Eyecup and Diopter for sharpest viewing with old eyes. The 80cm F8 Rokkor has the original Yellow Filter installed as well.