shadowfox
Darkroom printing lives
My E-P2 has traveled with me a lot along with my M4-P for film.
This little camera is all the digital I needed.
But for the last few years, it hasn't seen much use since I travel less and for the precious little time I had for photography, I'd much rather use my film cameras.
Until an For Sale ad for a converted E-PL1 caught my attention and an idea popped into my head: Why don't I convert the E-P2 into a fulltime IR camera?
Today, a month later, after a lot of deliberation, the camera came back from Massachusetts. It's now a full-time IR sensitive down to 750nm wavelength. Since I'm planning to produce B&W IR images only, I don't care about the shorter wavelengths.
Of course nothing is different on the outside, until you turn on the camera and look at the LCD display...
See the dark wood of the antique clock became ghostly white on the LCD. So now I can shoot an IR video
Here is a quick test shot, nothing fancy, just some of my wife's summer ferns:
Of course, today also had to be a very unusually cloudy and (*gasp*) cool day for July in North Texas. I can't wait to use this camera for the road trip we are planning. Hopefully there is still enough summer for me to capture those vistas with white fluffy clouds against dark sky.
So now, my E-P2 is back in commission. And I forgot how much I enjoyed using it.
Anybody willing to lend me a Zuiko 9-18mm?
This little camera is all the digital I needed.
But for the last few years, it hasn't seen much use since I travel less and for the precious little time I had for photography, I'd much rather use my film cameras.
Until an For Sale ad for a converted E-PL1 caught my attention and an idea popped into my head: Why don't I convert the E-P2 into a fulltime IR camera?
Today, a month later, after a lot of deliberation, the camera came back from Massachusetts. It's now a full-time IR sensitive down to 750nm wavelength. Since I'm planning to produce B&W IR images only, I don't care about the shorter wavelengths.
Of course nothing is different on the outside, until you turn on the camera and look at the LCD display...
See the dark wood of the antique clock became ghostly white on the LCD. So now I can shoot an IR video
Here is a quick test shot, nothing fancy, just some of my wife's summer ferns:
Of course, today also had to be a very unusually cloudy and (*gasp*) cool day for July in North Texas. I can't wait to use this camera for the road trip we are planning. Hopefully there is still enough summer for me to capture those vistas with white fluffy clouds against dark sky.
So now, my E-P2 is back in commission. And I forgot how much I enjoyed using it.
Anybody willing to lend me a Zuiko 9-18mm?
stompyq
Well-known
I did the same thing to my epm-1. Gave it a new lease of life. I got mine converted to full spectrum IR so I have more control over which wavelengths to cut off.
raid
Dad Photographer
I have heard before about such IR conversions. How much was the cost?
stompyq
Well-known
Mine was $99
rhl-oregon
Cameras Guitars Wonders
My ep1 conversion was ~Pramod's--the cost of a bartered lens. Done locally too. It gives the ep1 a new life and purpose. I especially like how the 20 1.7 lens draws in low light in a way that doesn't shout Hey, I'm Infrared!
But I have a weakness for the dramatic landscapes, skies, water and foliage too....
But I have a weakness for the dramatic landscapes, skies, water and foliage too....
Last edited:
KEH
Well-known
I have been using IR converted m43 cameras in my Africa work for a few years. This is from the latest iteration, an Oly EM5 converted to IR by Digital Silver Imaging. The sensor quality and the ability to see blown highlights in real time makes a big difference. I find 'exposing to the right' really helps to avoid blocked up shadows.
Cheers,
Kirk
shadowfox
Darkroom printing lives
Raid,
Mine was converted by this ebay seller: image-laboratory for $99.
Another reputable one is Kollari (sp?) but their price is $250.
shadowfox
Darkroom printing lives
KEH
Well-known
Will,
The term comes from Michael Reichmann and the idea is to shift the histogram to the right (by increasing exposure) without blowing highlights. For non-IR work I don't spend too much time worrying about keeping the shadows open, because the sensors keep getting better and better. But with the IR conversion there is a general tendency to under-expose, so it is very much worth the effort to keep the shadows as open as possible. That way you have a lot more leeway in post-processing.
Hope that helps.
Kirk
The term comes from Michael Reichmann and the idea is to shift the histogram to the right (by increasing exposure) without blowing highlights. For non-IR work I don't spend too much time worrying about keeping the shadows open, because the sensors keep getting better and better. But with the IR conversion there is a general tendency to under-expose, so it is very much worth the effort to keep the shadows as open as possible. That way you have a lot more leeway in post-processing.
Hope that helps.
Kirk
raid
Dad Photographer
Thank you for the information, guys.
Range-rover
Veteran
shadowfox
Darkroom printing lives
Robert,
The IR conversion makes a lot of sense for older m43rd cameras. Also for Samsung NX which is not as popular here in the US but undoubtedly high quality.
I considered getting a (not necessarily cheaper) converted cameras with tiny sensors like some of the P&S from Nikon or Panasonic, but all the sample images I've seen has the coarse-ness that doesn't sit well with my eyes.
stompyq
Well-known
Absolutely Range. This is all your fault!!
rhl-oregon
Cameras Guitars Wonders
Will, I kind of think of my ep1/20 1.7 / 14 2.5 as an IR CLE, esp. now that I'm shooting a Minolta CL again with a CV 40 & 28. They're the same size, easy carries.
Also, though, when I tried to sell the EP1 here in 2013, no one would even offer $75 for it! Ridiculous. Better to keep it with a more singular purpose.
When I saw the thread for the $250 EOS, I thought: that'll make a good candidate for conversion, even for someone who doesn't normally use compact Canons. (One of these days I'll probably convert my GX1, which I got similarly cheap, and which has an EVF to boot.)
Also, though, when I tried to sell the EP1 here in 2013, no one would even offer $75 for it! Ridiculous. Better to keep it with a more singular purpose.
When I saw the thread for the $250 EOS, I thought: that'll make a good candidate for conversion, even for someone who doesn't normally use compact Canons. (One of these days I'll probably convert my GX1, which I got similarly cheap, and which has an EVF to boot.)
Last edited:
shadowfox
Darkroom printing lives
Some more shots from yesterday.
* These are without color processing, straight out from the camera. I kinda like the ochre tint. What do you guys think?
* The sky finally turned interesting last evening
* These are without color processing, straight out from the camera. I kinda like the ochre tint. What do you guys think?
* The sky finally turned interesting last evening
raid
Dad Photographer
I am thinking of converting (maybe) my EPL-1. I like keeping the EP-2 as is, though.
shadowfox
Darkroom printing lives
Raid, i think that's a good plan.
in case you're not aware (I just learned about this recently too), there are two ways in general to convert a digital camera for this purpose.
One, is to make it a full-time IR camera by selecting a cut-off wavelength and install a permanent filter in front of the sensor. This is what my E-P2 is now.
Two, is to install a different glass that opens up the full-spectrum of wavelength to the sensor. The good: you still can take ordinary pictures (the colors, not the quality), then take IR or UV pictures using appropriate lens filters. The bad: you have to bring lens filters and install them and take them off.
I still use my film cameras, and I have the Ricoh GRD IV for "ordinary color" image, so the E-P2 now occupies a unique slot in my toolbox.
in case you're not aware (I just learned about this recently too), there are two ways in general to convert a digital camera for this purpose.
One, is to make it a full-time IR camera by selecting a cut-off wavelength and install a permanent filter in front of the sensor. This is what my E-P2 is now.
Two, is to install a different glass that opens up the full-spectrum of wavelength to the sensor. The good: you still can take ordinary pictures (the colors, not the quality), then take IR or UV pictures using appropriate lens filters. The bad: you have to bring lens filters and install them and take them off.
I still use my film cameras, and I have the Ricoh GRD IV for "ordinary color" image, so the E-P2 now occupies a unique slot in my toolbox.
shadowfox
Darkroom printing lives
Robert, precisely. I lucked out getting ~$300 when I sold my E-620 about 2 years ago, since then the prices of older digital cameras just plummet. Nowadays I'd be lucky of I can give away my E-P2. This way, I get my favorite camera back. I'm quite pleased.
On the Canons, there are already converted ones for that price, watch for those.
TXForester
Well-known
That's a great idea, and some cool photos.
Speaking of (relatively) cool, I'm also appreciating this Texas July. I'm about 70 miles east of you and work outdoors.
Speaking of (relatively) cool, I'm also appreciating this Texas July. I'm about 70 miles east of you and work outdoors.
rhl-oregon
Cameras Guitars Wonders
Will, I like the desaturated sepia-like SOOC. They have a special appeal and would provide a definite signature exhibited in a group.
(Mine are reddish OOC,so I convert them to BW in LR.)
(Mine are reddish OOC,so I convert them to BW in LR.)