Beautiful!
Just as the rain ends and the sun comes out, so does the 8 element LLL arrive (and the film at the same time). From the packaging, the superb metal lens box, the attention to detail is stunning. The lens itself, in mechanical form, is exquisite in it's work and mechanical perfection. It's smooth to operate, the infinity lock clicks in place with a sound as near to that of my Summaron as you can get. Focus is precise and exceptionally good to use. The machining of the helicoid is superlative, the chrome and engravings flawless.
So, this is the real deal, just beautiful. I can well imagine lenses like this coming out of Wetzlar in the 50s and 60s, to this standard.
Thanks Kevin for the shepherding and the ever patient way you've dealt with this - I am so glad you gave us an opportunity to get in on the ground floor, and thanks also to Mr Zhou for making this happen!
Now to get out with some film in it!
The lens box is so satisfyingly dense with the lens inside, isn't it?
Congratulations on receiving such a beauty, Charles. My lens has number 194/500, so you are ten numbers higher than mine. :bang:
I agree with you one the high quality of craftsmanship in these lenses.
First try uploading pictures to RFF hope it works.
Just some photos of my dog in the backyard. Chinacron is nice is sharp wide open. Shot on M9P
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So my copy is Version 2 (V2) Lead and Coated. It has an amber coating.
I also purchased from Wen and have a lens from this same batch. It's going to replace my pre-ASPH Summilux. It's well constructed and the rendering is fantastic.
My pre-asph Summilux will not be replaced by this lens or any other lenses. 😎
It is a special lens after all. With the M9 and Tuscany light, it can create beautiful images.
Just as the rain ends and the sun comes out, so does the 8 element LLL arrive (and the film at the same time).
Now to get out with some film in it!
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I've had pre ASPH for a while now and consistently shoot it between F2 and F5.6 and I guess I'm not seeing enough of a difference in the rendering between the replica and the pre-ASPH Summilux at those apertures to justify keeping them both. The other two advantages for the replica is that it is much more ergonomically friendly and has a closer MFD.
Congratulations Charles. The set looks fantastic. It's impossible to beat an M2 with a 35mm!
The 35 1.4 pre is tiny..
Like a mini Noctilux..
Thats enough to keep it..
As well as tame the wrinkles..for portraits...