Tejasican
Well-known
Adapting a Leica R to the F mount requires some surgery. Any switching around in the field would be off the table.
Hmmm...a Voigtlander lens fits on the FE2 body? That would be interesting. Likewise a Leica 80mm Summilux R that is presently on the R4...who has adaptors for these and how do they work?
Not sure, but what color should I paint my house?
There sure are many 'very best!'
Godfrey--
I have had the second SL version (P chip, full integration with the meter and AF confirm) for a couple years.
The CV 40/2 is an interesting and excellent lens. It is very usable wide open. There is a noticeable light falloff in the corners between wide open and improving towards f/4, pretty much gone by f/5.6. This on a D700 & D3S. Obviously this is at infinity. The image circle and associated more even illumination increases as it is focussed closer.
I have no problem focussing this lens with either a B screen or a J screen (adapted from a F6) on the above FX cameras. It is sort of out of balance on the D3S, a much better ergonomic fit on the D700. I think it would be ideal on a D600 or any of the FM or FE series.
--Steve
show me another wide with no distortion .../QUOTE]
The 35mm F2.8 PC Nikkor, and the 28mm F3.5 PC Nikkor do not exhibit any distortion whatsoever. I know that for sure.
I used to have to remount all the slides I shot with my FE-2's, to frame the edges of the architectural images very tightly, which I was doing at the time.
Some of them were published in National Architectural magazines.
- 105/2.8 ais micro. Believe it or not, it's better than the 105/2.5
-.
If in doubt, you can consult this:
http://www.naturfotograf.com/lens_surv.html
I don't have one and I'm probably going to have to get one, just to find out if I can see the magic. I'm rather partial to the CV 40/2, myself, though I also like the Nikkor 24/2.8.
...Mike
show me another wide with no distortion ...
The 35mm F2.8 PC Nikkor, and the 28mm F3.5 PC Nikkor do not exhibit any distortion whatsoever. I know that for sure.
I use one of these for my gear/product shots. Fantastic lens for macro, but in my experience its a bit tricky to focus accurately at more "normal" shooting distances. The 105/2.5 is definitely a better lens in that respect.
Don't really understand that comment, Jon, but then we might use different focusing techniques. In my experience, the 105/2.8 Micro is stunning for landscapes, too, very flat field.
I wasn't very clear... what I mean is that the Micro-Nikkor 105/2.8 has a very short focus throw for medium distances (for example 2m to 5m). Over the same distance range, the Ai-S 105/2.5 has more focus throw which makes nailing focus easier at those distances. But yeah, no complaints at all with the Micro-Nikkor's imaging quality at any distance, and the short focus throw is not an issue for landscape shots at infinity.