jsrockit
Moderator
BTW I wonder if Tung will make it out with his new digital Noct-Nikkor rig?
Someone should invite him...
BTW I wonder if Tung will make it out with his new digital Noct-Nikkor rig?
Someone should invite him...
John,
John C. is a great sport and took many a beating for having gear that creates great envy. In many ways John C. is our purr-ren-ial "underdog." He always captures the brunt of many laughs. John kinda captures the spirit of where we really make fun of ourselves and the RFF culture.
No doubt that John C. has great gear. In kidding around I always say between him and Tung that together they have the entire Leica catalog. How crazy was it that Tung brought a F1.0 Noctilux and a 0.95 Noctilux to a Meet-Up?
Cal
I , pathetically , will have nothing to show . Hope that's ok. I will be drooling however .
In other news, did anyone go to Chinatown today?
There was the usual assortment of weekend photogs.
Didn't recognize anyone but spotted a few Leicas.
Not sure if there are more festivities tomorrow
Philippe
NYC Chinese New Year Parade will be tomorrow (Sunday)
1pm at Canal & Mott St. I'm planning to be there.
Was there a couple of years ago...really crowded.
NYC Chinese New Year Parade will be tomorrow (Sunday)
1pm at Canal & Mott St. I'm planning to be there.
The Noct-Nikkor is the holy grail of Nikon lenses in that "normal" range. Call me a heretic but I've always thought the Noct-Nikkor outperformed every Noctilux I've seen, save for the newest .95 verson. They are different for sure. The Nikkor being a lens that is 99.97% technically perfect while the Noctilae (is that the plural of Noctilux?) are almost as perfect but have a feeling to them that make them equally as special.
If I ever have $1000 to throw away, I'm going to modify a Canon FD 24mm f/1.4L to Nikon mount. That lens is equally special but they are so rare that no one has wanted to dismantle them for use on a digital.
I digress.
I just found out about the Canon Ec-S screen which has a very coarse oblique scattering angle (like the old D screen for the F and F2) which would be a perfect screen for a Nikon Df user who has nothing but lenses faster than f/2. I've been offered a second D3 for very little money and will probably bite on the deal since I use them for work.
Ok, this digression deserves to be on a different thread. I'll stop.
Phil Forrest
Apollgies but I won't be able to attend the end of February
'Beauty Pageant'
Best of Luck to ALL participants !!!!
Will this fit in Puck Fair?
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Darn! Was hoping to meet Helen Hill, after all these years, pictures, and for-sale posts. One of these days I hope to take the trophy with a functioning circa 1940 one-shot color camera <g>.
Anyone interested in Kodak 5222??? I'm going to use up the last of my 135 Acros and Arista Premium and go 5222 bulk load for small format. I figure Diafine at 400 ISO and ADOX at 250 ISO. BTW I mistakenly shot 5222 at 800 ISO (didn't acout for a 1-stop filter factor on a meterless camera) and developed in Diafine 4+7 and got surprising results. This film has mucho lattitude, and doesn't seem to compress contrast as much as Tri-X. Perhaps it will be like Acros and not need a hard contrast push via filters.
Cal