Calzone
Gear Whore #1
- Local time
- 10:26 AM
- Joined
- Nov 11, 2008
- Messages
- 16,896
- Location
- The Gateway To The Hudson Highlands
I’m excited over the thinline/Esquire pickguard delivery tomorrow. This does not prevent me from removing the neck pickup and staging the necessary wiring changes today.
Pretty much I can convert “Woody” today into an Esquire, and tomorrow when the pickguard is delivered it pretty much is only a cosmetic change.
It is another rainy day. I’ll do some exercise today…
I see a pattern where I embrace the limit of having a single pickup instrument. It is becoming a trademark. Kinda cool.
I have a plan to start transposing to other keys. This freedom to change keys is key to Jazz and improvisation.
It seems like I have an innate talent for improvisation, it comes naturally. Pretty much my life. Perhaps the instability I grew up with has had a profound effect on my attitude. I can say I have a “Jazz-Life” that has had all these interesting and unusual turns with no sense of security or permanence.
The NYC street photography I now understand was a search for some form of permanence, where I created a sense of home that was permanent even though we knew we eventually would have to leave NYC. I have an archive, and what to do with it? It spans a decade, and today NYC is a very different city.
So even with Cancer, I’m still in the game, my life kinda continues pretty much the same frame of mind. Much of the same…
Cal
Pretty much I can convert “Woody” today into an Esquire, and tomorrow when the pickguard is delivered it pretty much is only a cosmetic change.
It is another rainy day. I’ll do some exercise today…
I see a pattern where I embrace the limit of having a single pickup instrument. It is becoming a trademark. Kinda cool.
I have a plan to start transposing to other keys. This freedom to change keys is key to Jazz and improvisation.
It seems like I have an innate talent for improvisation, it comes naturally. Pretty much my life. Perhaps the instability I grew up with has had a profound effect on my attitude. I can say I have a “Jazz-Life” that has had all these interesting and unusual turns with no sense of security or permanence.
The NYC street photography I now understand was a search for some form of permanence, where I created a sense of home that was permanent even though we knew we eventually would have to leave NYC. I have an archive, and what to do with it? It spans a decade, and today NYC is a very different city.
So even with Cancer, I’m still in the game, my life kinda continues pretty much the same frame of mind. Much of the same…
Cal