And the Film Can In It...??
And the Film Can In It...??
Guess this marks me as a REALLY old geezer: the Kodachrome spool came in a yellow metal (yep, metal) can with a red screw-on top. When you'd shot a roll and rewound it, you put it in the bag, pulled the drawstring tight, knotted it, put a three-cent stamp (first class mail went for three cents an ounce back then) on it, made sure your return address was correct on the mailer tag and dropped it in a convenient mailbox.
If you lived near one of the processing labs, as I did, your slides were back via the United States Mail (no US Postal Service in those days) in about five days. Since I lived in South Carolina back then, I generally sent my Kodachrome to the Kodak lab in Atlanta although the one in Washington, DC, was about as fast.
Incidentally, metal cans were not exclusive to Kodachrome. Plain old garden variety Kodak black-and-white film came in them, too. Only the screw-on tops were painted (green for Plus-X and Tri-X), the main container was unpainted. And all Kodak film back then came with a really neat data sheet giving a concise "sunny 16" exposure guide and developing times for various dilutions of D-76.
As the song says, "Those were the days, my friend, we thought they'd never end, my friend..."
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