Little Prince said:
Ok, I guess I know even less about the Oly line up than I thought I did. What mount do the Oly DSLRs have? How do you use a Contax 45/2.8 with your E-1? Do you mean a C/Y mount lens? Are you using some sort of adapter?
I guess I'll now have to go lookup on the E-1 also. I was trying to simplify things by elimination. It's only getting more complex! I think I have eliminated one camera and another springs up to take its place. I might just go into a shop and ask them to put them all on the counter, close my eyes and pick one. But then I'm not researching for myself, so I want to be more sincere about it.
Oly E-1 has a FourThirds mount. However there are adapters availible to use (stop down metered and full infinity withough glass), Contax/Yashica (aka RTS), Minolta MD, Nikon F, M42, Olympus OM (free with a call in the USA), among others. Kind of nice, and it lets you expirement with inexpensive lens line ups, or pick up specialized lenses. Heck, I just spent $205 for a split prism with a hi-lux screen (extra bright and prism does not black out even at F/22). In other words, an E-1 can lead to a very odd form of GAS. I am trying to justify a Planar 85/1.4 for it right now... and having trouble... Cameraquest sells some adapters (have one, very nice), and some polish company is also making them (cheaper, bought I will be supporting Gandy, he is helpful, and lives here in California).
The Olympus E-1 is whatever camera you want it to be... hmm... right now one is in my camera case (alongwith a Contax G1 and G2 and 11 lenses... way too much GAS) and one has my Planar 50/1.4 on it. I have been trying to track my bird as he does his back and forth movements, quick and erratic, at f/.1.4. Kinda scary fast moving little guy, and no DoF at 5', with an equivelent focal length of 100mm. Fun though.
I can vouch for the lenses I have, as well. I have among the Zuiko Digitals: 11-22/2.8-3.5 (awesome, no vingetting, slight distortion gove by f/4), 14-54/2.8-3.5 (sharp and almost perfect jack of all trades), 50/2 (nice macro, painfully sharp portrait lens), 50-200/2.8-3.5 (good for action, sharp and contrasty). Remember, 2x crop to compare to 35mm. However, also not, note an actual crop, the lenses are made for this format, and this pays dividends in quality.
Welcome to the world of confussion, I mean DSLRs
🙂