le vrai rdu
Well-known
I tried the 67 ii wich I liked, but it wasn't mine so I couldn't enjoy it really (I always fear to break a stuff I can't afford) and, as I prefer more classical cameras, the 6x7 will be the perfect pentax MF 😀
I tried the 67 ii wich I liked, but it wasn't mine so I couldn't enjoy it really (I always fear to break a stuff I can't afford) and, as I prefer more classical cameras, the 6x7 will be the perfect pentax MF 😀
I bought a cheap 6x7 body to try out. It's good, but you wouldn't necessarily want to hold it one-handed - there's precious little to hang on to other than a strap lug. It's a 9-shooter thanks to a worn frame-counting mechanism but a fine camera other than that, and will certainly keep me happy until I can spare the shekels for a 67ii.I'd be interested to try the earlier camera but think I made the correct choice for me with the 67ii.
I don't like carrying round a meter for some reason and find in camera metering with the option of AE much more agreeable ... consequently my OM-2 gets preference over my OM-1, my Ikon over my M2 and so on!
And I like the built in grip of the ii ... it handles a lot like my D700 ... discounting the weight! 😛
Keith, I hear you and empathize... There’s just something about the P67 that has engendered fondness for it. I’ve had my first one for a long time, and it took forum-generated GAS to get me to buy into the system more and more! I like the P67II best for the improved ergonomics, better damped mirror, and AE....Sometimes when you get gas for a particular camera and start a thread as I did here and go through the motions of discussing it to death and absorbing all the opinions and adulation within the thread ... you get over it and move on ... the gas seems to disipate naturally and you suddenly realise that the last thing you really need is another camera for the collection that already contains cameras that don't get enough use! Well it never happened with the big Pentax ... the more I thought about it the more I wanted one.
The 67ii that I subsequently bought from 'barnwulf' is not a camera you use without having a plan in mind ... you don't casually pick up a 5lb (with lens) medium format SLR and wander off to take some pics ... it's not that sort of camera. Often though I will take it out of the cupboard and sit it on the desk in the evening and just stare in awe at it ... that part will never change!
I intend spending the day with it next week in the dry valley behind Brisbane where the old abandoned farms and bleached winter grasses are just begging to be photographed.
I thing I will make a right hand grip (my father as a wood workshop :d) and the 6x7 will come with a metered prism 😀 but I have to admit AE can be very useful 😀I'd be interested to try the earlier camera but think I made the correct choice for me with the 67ii.
I don't like carrying round a meter for some reason and find in camera metering with the option of AE much more agreeable ... consequently my OM-2 gets preference over my OM-1, my Ikon over my M2 and so on!
And I like the built in grip of the ii ... it handles a lot like my D700 ... discounting the weight! 😛
Keith, I hear you and empathize... There’s just something about the P67 that has engendered fondness for it. I’ve had my first one for a long time, and it took forum-generated GAS to get me to buy into the system more and more! I like the P67II best for the improved ergonomics, better damped mirror, and AE.
By contrast I’ve never warmed to the Fuji GW670III, and while the Pentax 645NII is fine, there’s just not the fondness I’ve developed for the P6x7/67II
Expect you will get some interesting shots in that dry farm valley...
@le vrai rdu, be careful your right forefinger does not accidentally press the right-side prism release button on the 6x7 when you operate the shutter release lock! I think your lens plan sounds good. The 55 is excellent, the 90 is smaller than the 105 and focuses closer (0.65m vs. 1.0m), and the 135 won’t need a lens hood as the front element is well recessed behind the filter ring. It focuses to 0.75m, which I think gets you about half life-size. You’ll need extension rings to get closer.
What did the Pentax setup cost you incidentally? ... I would hope that my RF645 with 65mm and 100mm lenses would cover the cost or a possible trade for someone who wants to venture into RF land with MF and a lighter camera than the 6x7 SLR.
Although there are various models of the Pentax, they made and sold a ton of them. Not so with the Bronica RF645.... very few in the market, and lots of demand for those available.
You should easily be able to raise the money for the Pentax67, metered prism and a couple of lenses. Good luck.
Now I say this with the full knowledge that my own personal interest is in function, while some people want function with pristine cosmetics. For most Pentax 67's the camera's were working tools and will have signs of use. It would be hard for me to think that robust usage would damage the function of that camera.
However, for pristine cosmetics, expect to pay more...
You knew that... right?
Bob, you might find a replacement split-image screen for your P67... try Pentax's repair service, KEH, and B&H (for instance, for a Beattie Intenscreen). Pentax has offered four screens (in addition to the stock screen) for the 6x7, shown in the manual p.36: Split Image, Matte with Central Spot, Grid with Microprism, and Grid with Matte Spot. I had that last mentioned one installed in my older 6x7 by Pentax in Colorado. And put a Beattie with grid and horiz. split image in the other one later by a tech in Seattle. But, while interchangeable, this does take a technician's tools and abilities.
Note that the P67II screens will not fit the 6x7 or 67, and vice-versa!
The Pentax grid screen w/matte center was $19, but the labor for that is not known as the Pentax shops repaired the film transport at the same time (early non-MLU 6x7). But this was April 1983...Thanks for the info. How much did these screens cost you including installation?
Sounds like you got a fine deal on that lens, Wayne. And I hope your friend gets fond of that old 6x7!
You use the MLU hand-held? I've never done that... must be tricky! 🙂 In fact I had my non-MLU 6x7 for 27 years before getting the MLU version, so I was not accustomed to using that feature.
From introduction in 1969 through the "Pentax 67" name change in 1989 to the 1998 replacement by the P67II, there were continuous minor improvements in the design and manufacture - the 1976 MLU is just one obvious example - So the later a particular body was made, the more refined the construction. And there were options... My late 6x7 is one of the last to carry that designation, and it has an optional factory installed multiple-exposure switch.