Photog buys $100,000 of Velvia 50

Never shot 8x10 velvia, but 4x5 velvia 50 is incredible. It was the only color film I shot for 4 years when I was living in upstate NY
 
does slide film even last that long? probably get some even more funky colors than the usual velvianess 😉

I stored some 4x5" Kodak E100VS in the freezer that was expired when I bought it for about 5 years (or more, can't remember) before using it, and it was just fine. Likely the photographer will test a sheet every now and then and adjust development and/or filtration as needed.
 
I stored some 4x5" Kodak E100VS in the freezer that was expired when I bought it for about 5 years (or more, can't remember) before using it, and it was just fine. Likely the photographer will test a sheet every now and then and adjust development and/or filtration as needed.

I only used expired velvia (the fresh stuff was too expensive) and rarely used fresh stock. Never noticed a difference
 
Two things...he paying $11 per shot...and they say that this should last him for the next ten years...that gives me hope that the Velvia 50 in my frige is still good...
 
From the article:

"The guy purchased a whopping 12,000 sheets of the 8×10 film from an authorized Fujifilm dealer in order to have enough film for at least the next 10 years."

When I asked why "everybody" was assuming the buyer was male, I was including the blog Petapixel and their source, the Phoblographer, in that query. The original post from the Fuji rep made no such assertion that I saw.

Not a big deal really, just fascinating to me.
 
I closed a thread recently because many were making comments that made it obvious their not having read the cited article in the OP or few if any of the posts on a page and a half thread preceding their post.

It's a loosing battle that I don't have the time to deal with.

Happily, that's not the case here. But, thanks for having the time to chime in.
 
There is one fashion photographer in Paris shooting 8x10 color. I recall his day rate is around $30K/day. I don't recall his name but Watson, Moon and others get that kind of money in the US.

The day rate usually doesn't have much to do with the equipment cost so I imagine he would get the same money if he was using a Canon 5D, no?

I don't think the cost of 8x10 is much of a problem on commercial shoots. I've never been on a set where a photographer used 8x10 but I've seen quite a few use hundreds of sheets of 4x5. Seems a bit more practical than 8x10 since it's easier to reload the holders.
 
When I asked why "everybody" was assuming the buyer was male, I was including the blog Petapixel and their source, the Phoblographer, in that query. The original post from the Fuji rep made no such assertion that I saw.

Not a big deal really, just fascinating to me.

I see what you mean. I guess they assume men are the only ones crazy enough to make this type of purchase. 🙂
 
I was a 'first flush' tester for Fuji in the late 1980's and we processed hundreds of sheets of 8x10 Velvia prior to the public release. I would say until you've seen a well exposed 8x10 transparency you'd not understand why the client would pay lots of money-I doubt a .jpg from a 5D will interest that client.
It's not about practicality of ease of loading 4x5 either I actually find 8x10 no different to load into slides.
 
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