Post Your Film Images Here

[Tuna]

Rolleiflex 2.8E, XP2

 

[rhl-oregon]

OM4ti / 50 1.8, Clemmons NC

 

[raphaellehnen]

washington sq park, nyc, 2025. leica ma 35mm summicron 5222 on hc-110 (1:31).

 

[fotographz1]

Hello!!!
I miss you guys AND I do hope this finds you well AND making photographs!!
cheers
Frank
Oskar's Cafe Wetzlar, Germany Leica R8 TMax 400 50mm f2.0

 

[jaredangle]

Double Exposure
Hillwood Estate (Washington, DC) and Bob's Big Boy (Charlotte, MI)
March 2025

Nikon FA
28mm f/2 AIS
Kentmere 400 @ ISO 3200
Rodinal 1+100 for 180 minutes

 

[Tuna]

Rolleiflex 2.8E, Portra 400

 

[Shab]

Biarritz - OM-1 + Zuiko OM 35mm 2.0 + Orange filter + HP5 Plus [@640ASA]

 

[Jonathan R]

View attachment 4868807

Rolleiflex 2.8E, XP2

That's lovely. You post some terrific shots.

 

[Tuna]

That's lovely. You post some terrific shots.

Thank you for those very kind words - I am happy that you like the pictures…

 

[Sanug]

At the "dragon bridge".


Pentax ME super, SMC Pentax-M 4/20mm, orange filter
Kentmere 200, Adox XT-3, 1+2, 13 Min.
Plustek Opticfilm 7300, Vuescan

 

[Slumgullion]

Train Driver by Jim Fischer, on Flickr
Nikon F3, Nikkor 35mm f/1.4 ai-s, Fuji Neopan Presto 400, T-Max Developer.

Train Driver by Jim Fischer, on Flickr
Nikon F3, Nikkor 85mm f/1.4 ai-s, Fuji Neopan Presto 400, T-Max Developer.

 

[Taipei-metro]

in an Aboriginal village...

Taitung County, southern Taiwan


Photo by Taipei-metro

Canon EOS AF 10S,
Sigma EF 28-105
Fuji XTra 400 print film

 

[chrisbliss]

Minolta CLE | m-Rokkor 28 | ultramax

 

[MNS]

'Hats' Honfleur, France. 2019



Leica M4-2, Summicron-M 35mm f/2 ASPH, Kodak Tri-X rated at 800

 

[MNS]

'Hiding' Vimoutiers, France. August 2020



Leica M4-2, Summicron 35mm f/2 ASPH, Ilford HP5 plus film, rated at 800

 

[Tuna]

Rolleiflex 2.8E
XP2

 

[mrtoml]

Connemara, Ireland. Shen Hao HZX45 field camera, Rodenstock APO Sironar N 150mm lens. Probably FP4.

 

[Slumgullion]

Ok. Here's a fun one to ponder. The question: what the fudge is happening here? The setup - I used to live in Japan. At that time, Fuji Neopan 400 was between ¥250-300 for a roll of 36 exposures. It was silly cheap. And it was a good film (RIP). I shot a lot of it. At any rate, I was recently doing a bunch of re-scanning of old negatives and to my dismay, I discovered that many of my old Neopan 400 negatives are decaying in a bizarre way - small cracks and marks in the emulsion. None of the other brands of black and white film I shot from that time period show this defect (and I developed everything with the same chem/developer...T-Max). Not all of the Neopan is as bad as this example...some of it is on its way, some of it seems unaffected (so far), but a lot of it is...kinda ruined. So, what the fudge?

Pachinko Guy/Sad Film by Jim Fischer, on Flickr

zoooomed in:
Crop by Jim Fischer, on Flickr

 

[Erik van Straten]

Ok. Here's a fun one to ponder. The question: what the fudge is happening here? The setup - I used to live in Japan. At that time, Fuji Neopan 400 was between ¥250-300 for a roll of 36 exposures. It was silly cheap. And it was a good film (RIP). I shot a lot of it. At any rate, I was recently doing a bunch of re-scanning of old negatives and to my dismay, I discovered that many of my old Neopan 400 negatives are decaying in a bizarre way - small cracks and marks in the emulsion. None of the other brands of black and white film I shot from that time period show this defect (and I developed everything with the same chem/developer...T-Max). Not all of the Neopan is as bad as this example...some of it is on its way, some of it seems unaffected (so far), but a lot of it is...kinda ruined. So, what the fudge?

Pachinko Guy/Sad Film by Jim Fischer, on Flickr

zoooomed in:
Crop by Jim Fischer, on Flickr

How do you develope your negatives? It seems that the emulsion layer has cracked. Perhaps the developing procedure was too hot or the film was stored too warm. The effect is called "reticulation". I have this problem sometimes when using Tmax400. I always try to keep the temperature of the different baths exactly at 20 degrees C.

 

[Erik van Straten]

gelatin silver print (elmar 50mm f3.5) leica 1a (1928)

Amsterdam, 2014