Love your photos! I am thinking many these would have been impossible to take in a different cultural setting - chassing a young girl in order to take a portrait could easily be misunderstood. I have myself almost been attacked when taking a picture of a boy playing with a ball with some striking shadows - I managed to calm the father, but the whole situation scared me. I guess a translator might help. Did you take any other precautions?
Thank you. The way I did this work was very considered.
The cultural differences are huge. At home I photograph children of people I know and where I am an event photographer. This, in some ways, was similar. I don’t go to public places and photograph children I don’t know or have had no means of connecting with at home, away, anywhere.
The general principles are the same wherever you go. I had a South Australian working with children check, and international volunteer clearance from international volunteering work with children. The training for these is helpful. My translator told the village elders that I was coming to photograph. This is incredibly important - you can’t just arrive in these places unannounced and start photographing. That would cause problems.
When I first arrive anywhere I explain that I’d like to take some photos, that people live very differently in different places and that showing this is important to me. I took gifts for the children and adults, and was careful to ask the adults first if it was ok to give things to the children. Don’t take unhealthy food; I don’t eat lollies/candy, and try to keep my own kids diet healthy, so don’t go feeding children sugar while you’re travelling. Take educational books in the local language, pens, pencils, other things they can use and learn with. I left large packs of kids multivitamins in all the villages too - they may throw them out, but if you buy sugar free ones that taste good they usually get eaten.
It is very important that I am never alone with a child or children; although the photos are often just of the children, a relevant local adult and my guide could always see what is happening and what I am doing. In the villages I stayed in people’s houses and it is relevant that in a lot of these places, the people I am photographing are people I was staying with. Building a level of trust and living up to it is critical, not just for me, but for my guide and anyone who comes in the future.
Also, to be clear, this trip wasn’t without its problems and difficulties. At the place where I photographed the girl with the goat, my guide had paid the village - for access, lunch, water and the general hassle of me poking around their place for a day. But although he had told them that I wanted to photograph, they wanted more money because I took so many photos. We cut our visit short. It was unfortunate, but things like this sometimes happen. Stay calm, smile, and let the guide deal with it. That’s why you hire one.
Think about what you plan to do, act responsibly and in a controlled context and you should be ok. Don’t make trouble for yourself or someone who might come after you.
A final thing - if you say you’ll do something - send prints, help out with something, whatever - do it. Broken promises are unhelpful and will also create distrust for anyone who visits in the future. This is a long way of saying ‘don’t be creepy and act responsibly’ but I think explaining is useful for anyone who wants to go on a trip like this for themself and who might not know where to start.