dave lackey
Veteran
Thanks, BC... Just getting started. I like your image of the flowers and it reminds me to shoot some florals and vegetation in black and white.... something I never think about.just loaded an FE2 with XX today in order to use the film with the 50mm 1.8 Series E lens.
philipus
ʎɐpɹəʇɥƃı&
bcli
Established
Awesome tones in this shot. Impressed on the grain at ISO800.
BC
BC
philipus
ʎɐpɹəʇɥƃı&
music_healing
Well-known
Eastman 5222 is my daily film .. i stock 3 bulk 400 feet at the freezer 
Houses By The Hill
House by the Hill by William Jusuf, on Flickr
Semarang , 2015
Kodak Eastman Cinema Film 5222 ISO 250 at 400
Developed with Microphen
Lux 50 Pre-ASPH M4
Sincerely
William Jusuf
Houses By The Hill

Semarang , 2015
Kodak Eastman Cinema Film 5222 ISO 250 at 400
Developed with Microphen
Lux 50 Pre-ASPH M4
Sincerely
William Jusuf
dave lackey
Veteran
Gotta love this stuff! 
I have a roll of 5222 in my F6 currently. Nothing planned but just shooting whatever is interesting around the house or if I am out. I find developing is a breeze, so yeah, I love shooting this stuff!
I hope to get some bulk film this year but rolling is another matter altogether!
I have a roll of 5222 in my F6 currently. Nothing planned but just shooting whatever is interesting around the house or if I am out. I find developing is a breeze, so yeah, I love shooting this stuff!
I hope to get some bulk film this year but rolling is another matter altogether!
Nokton48
Veteran
Hey Dave,
Good that you are getting along with it.
I've got about twenty rolls I need to process.
-Dan
Good that you are getting along with it.
I've got about twenty rolls I need to process.
-Dan
dave lackey
Veteran
Hey Dave,
Good that you are getting along with it.
I've got about twenty rolls I need to process.
-Dan
Ha! Yes, sir... I love this film and with Acros, all my film needs are covered very well. I have about twenty rolls to shoot so I can order more! Just not enough time in the day around here...
dave lackey
Veteran
I have managed to match up my preferred gear for both 5222 and Acros.
FM3a + 45 2.8 P
F6 + 50 1.4 G (saving up for that one)
M3 + 50 1.5 Summar
For Acros it is:
FM3a + 45 2.8 P
F6 + 50 1.8
M6 + Nokton 50 1.5
FM3a + 45 2.8 P
F6 + 50 1.4 G (saving up for that one)
M3 + 50 1.5 Summar
For Acros it is:
FM3a + 45 2.8 P
F6 + 50 1.8
M6 + Nokton 50 1.5
jkjod
Well-known
A few from my last roll...EI 320, D76
M2, 50 Summitar
roll23-13.jpg by jkjod, on Flickr
M2, ZM 35/1.4
roll23-16.jpg by jkjod, on Flickr
M2, ZM 35/1.4
roll23-26.jpg by jkjod, on Flickr
M2, Voigt 35/1.4 SC
roll23-5.jpg by jkjod, on Flickr
M2, 50 Summitar

M2, ZM 35/1.4

M2, ZM 35/1.4

M2, Voigt 35/1.4 SC

dave lackey
Veteran
Ah...very nice!!! 320? I must try that!
jkjod
Well-known
Ah...very nice!!! 320? I must try that!![]()
Well I generally like a little more speed than rating it at 200, and I really didn't like the negatives I was getting from rating it at 400...so this was a happy medium
Chris Bail
Regular Guy
Leica MP, Summilux 50mm f1.4 ver.1, ISO 200

REI by Chris Bail, on Flickr
Leica M2, Voigtländer Nokton Classic 35mm f1.4, ISO 400

2015-11.Leica M2.Voigtländer 35mm f1.4.Eastman 5222.ISO 400.09 by Chris Bail, on Flickr
Leica MP, Summilux 50mm f1.4 ver.1, ISO 200

Directing Traffic by Chris Bail, on Flickr
Leica M2, Voigtländer Nokton Classic 35mm f1.4, ISO 400

2015-11.Leica M2.Voigtländer 35mm f1.4.Eastman 5222.ISO 400.28 by Chris Bail, on Flickr
Leica M2, Voigtländer Nokton Classic 35mm f1.4, ISO 400

2015-11.Leica M2.Voigtländer 35mm f1.4.Eastman 5222.ISO 400.23 by Chris Bail, on Flickr

REI by Chris Bail, on Flickr
Leica M2, Voigtländer Nokton Classic 35mm f1.4, ISO 400

2015-11.Leica M2.Voigtländer 35mm f1.4.Eastman 5222.ISO 400.09 by Chris Bail, on Flickr
Leica MP, Summilux 50mm f1.4 ver.1, ISO 200

Directing Traffic by Chris Bail, on Flickr
Leica M2, Voigtländer Nokton Classic 35mm f1.4, ISO 400

2015-11.Leica M2.Voigtländer 35mm f1.4.Eastman 5222.ISO 400.28 by Chris Bail, on Flickr
Leica M2, Voigtländer Nokton Classic 35mm f1.4, ISO 400

2015-11.Leica M2.Voigtländer 35mm f1.4.Eastman 5222.ISO 400.23 by Chris Bail, on Flickr
jkjod
Well-known
M2, ZM 35/1.4 Distagon, EI 250, D-76 1+1
groll24-22.jpg by jkjod, on Flickr
roll24-2.jpg by jkjod, on Flickr
And a two frame pano...
Untitled_Panorama1.jpg by jkjod, on Flickr


And a two frame pano...

bence8810
Well-known
M2, ZM 35/1.4 Distagon, EI 250, D-76 1+1
roll24-2.jpg by jkjod, on Flickr
I really like this one. Did you overexpose by a stop by any chance? Really like the high-key look.
Also, how long do you develop in D76 1+1?
Thanks,
Ben
jkjod
Well-known
M2, ZM 35/1.4 Distagon, EI 250, D-76 1+1
roll24-2.jpg by jkjod, on Flickr
I really like this one. Did you overexpose by a stop by any chance? Really like the high-key look.
Also, how long do you develop in D76 1+1?
Thanks,
Ben
Sorry for the late reply, I've been on vacation. I don't know the exact aperture but I'm sure I metered the shadows in my back yard (with a VM II meter there is no "250" setting, so it gets set at 200) and just shoot away, in D-76 1+1 I go 10 minutes at 20C. Sorry I don't have better answer for you :/. Lots of examples on my website at various ratings, though.
jkjod
Well-known
Also, I'm pretty sure I was using a circular polarizer on this roll - if that makes any difference.
bence8810
Well-known
Also, I'm pretty sure I was using a circular polarizer on this roll - if that makes any difference.
Thanks for the info. I have never tried it with D76 but will do in the future. I always rate it at 400 and usually develop it in Rodinal so the look I get is quite different.
Not sure what the circular polarizer does either... but the high-key look I like a lot!
Ben
Rayt
Nonplayer Character
I have been buying Double-X in 35mm canisters for like $6 a roll. Getting it in 400' will be cheaper of course. How do you load 400' into 100' cores for bulk loading?
Chris Bail
Regular Guy
I have been buying Double-X in 35mm canisters for like $6 a roll. Getting it in 400' will be cheaper of course. How do you load 400' into 100' cores for bulk loading?
I haven't had to attempt that just yet (I have a 400 ft roll, but am still working my way through a 100 ft roll), but I'm pretty sure it was discussed in this thread a while ago. Also, I don't have any spare 100' cans to re-spool into just yet.
You can buy easier-to-manage 100 ft rolls at filmphotographyproject.com. That's where i bought my already loaded cassettes, and my first 100 ft roll. That comes out to about $4.47 a roll if you are loading 36 exp.
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