Show Us Your Greatest Composition

jimcon11

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Joined
May 2, 2009
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Hello RFFers,

I am interested in the formal possibilities of photography. There is something uncanny about the well-composed photograph, a beauty that is hard to express logically, yet instantly understood.

I am interested in how others here regard composition. This is a chance to show off that photo you are most proud of, because its composition is unique, clever, revealing, beautiful, or all of the above.

Please post only one photo, and say why you think it is your best. All formats welcome. Let's see the most rational image you have won away from the unordered clutter of space and time!
 
I will start.

g.jpg


It is simply a cylindrical fuel tank of some kind held up by brick supports, but something about it is just mesmerizing. There is a triangular rhythm running all about it, between the stairway, the wall, and the shadows on the tank. The three primary tones reinforce this: dark bricks, greyish stairway/sky, and almost blinding white of the tank. The blending of tone is disorienting and gives the whole image a plastic feel.

That's my best shot at describing it-- like I said, these things are uncanny!
 
HaleBopp35summilux.jpg


It's an old one from 1997 of the comet Hale-Bopp.
The flare from the lens, a 35 summilux ASPH, added the element that makes it stand out in my mind. Taken with a filmM camera, so no way of predicting or previewing the result, I remember bracketing the camera position to try to avoid flare; I ended up picking the shot with the most flare.
These days movie film directors like JJ Abrams are adding post production lens flare.
 
HaleBopp35summilux.jpg


It's an old one from 1997 of the comet Hale-Bopp.
The flare from the lens, a 35 summilux ASPH, added the element that makes it stand out in my mind. Taken with a filmM camera, so no way of predicting or previewing the result, I remember bracketing the camera position to try to avoid flare; I ended up picking the shot with the most flare.
These days movie film directors like JJ Abrams are adding post production lens flare.

That is a superb shot, might I ask what film? Pushed?
 
I'll change my mind in a few minutes, but at the moment, here is my favorite composition . . .

webprint203.jpg



EDIT (days later): I am very pleased with this composition, and have been
since I shot it, because it reminds me of the fabulous images of Joan Miro,
particularly the image on the cover of Dave Brubeck's album "Time Further
Out". That music and Miro's imagery opened my mind to stuff that I had
never experienced before.

I was very happy to make this image on my work bench with just an auger
bit and a light box (just to the left of the frame).
 

201211419 by mfogiel, on Flickr

There is no such thing as "greatest composition", but I like the combination of "swirl" in the gesture of the arms, and the stillness dictated by the dominant eye being in the center of the frame.
 
girl vs cosmos...

girl vs cosmos...

Man vs Machine always supplies great compositional possibilities for play with sizes...

 
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