Greyscale
Veteran
Wirgin Edixa Flex B-V Bayonet, with factory Exakta mount.
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Greyscale
Veteran
Sears Tower 32B
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Greyscale
Veteran
Pretty little thing.
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Greyscale
Veteran
Minolta X-600, an X-500 variant with focus confirm
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Greyscale
Veteran
Minolta X-7A with MD 50/1.2
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Mamiya 645 Pro, Sekor C 40/2.8, Kodak Tri X @ 1600, D76 10 minutes 20C. by Mike Novak, on Flickr
Paulbe
Well-known
Very nice, Mike! Thanks for letting us see those...
Paul
Paul
Pál_K
Cameras. I has it.
A nice alternative to flowers and fruit.
kshapero
South Florida Man
buzzlightyear
Newbie
Found a Contax 139 Quartz with 2.8/45 in good condition. Feels like a tank compared to the OM-2n.
Size comparison:
Size comparison:
Greyscale
Veteran
AlexBG
Well-known
Found a Contax 139 Quartz with 2.8/45 in good condition. Feels like a tank compared to the OM-2n.
Size comparison:
2 questions, how come your om2n has blue speeds? And how do they compare? I'm on the hunt for an slr and loved my om2n years ago but have never had a contax slr.
Anthony Harvey
Well-known
Greyscale, I hope that you have enjoyed your Spotmatic and the 55/2 Super Takumar as much as I did my SP1000 with exactly the same lens. A fantastic lens for Kodachrome II and the later 25, and especially for black and white film, where, for me, it gave great sharpness and superb tonality, especially on HP4 and the early Tri-X. A gentle contrast, not too much but enough.
Anthony Harvey
Well-known
I also loved the 28/3.5 Super Takumar lens, which I used as my main lens at that time (1971). I had previously used a Praktica with a 50/2.8 Tessar, and this served me very well.
