Argenticien
Dave
I experience the same problems with my Super Ikonas and Moskwa 5 when using them vertically. My strongest concern is how to hold the camera steady at long shutter speeds like 1/50 or even 1/25 s.
What is your technique?
I don't think I've standardized a technique yet. One thing I do consistently is focus with the camera in landscape orientation, then turn it. (This of course precludes photographing any fast action, but I am never using the Ikonta for that anyway.) I then proceed to fumble around with different ways to try to get a grip on the camera, since the usual "eating a sandwich" grip with the left hand does not work well in portrait orientation. I find that I often come close to gripping it in some way that accidentally trips the shutter release! So I'm still trying to find a good, repeatable way to hold it. The obvious answer is, put it on a tripod and turn the tripod head, and use a cable release. But that does not always work of course, if you didn't bring a tripod or, as in the case of this picture, cannot use it. (There was a low fence in the way exactly at the distance where I needed to set the tripod. So instead I leaned on it.)
--Dave
ZeissFan
Veteran
I agree that there is a real challenge to holding a 6x9 folder steady for a vertical shot.
I shot this at 1/5, and if you look closely, you can see that I was unsteay. Oh well, no second chances for reshooting this.
Super Ikonta with Tessar:
I shot this at 1/5, and if you look closely, you can see that I was unsteay. Oh well, no second chances for reshooting this.
Super Ikonta with Tessar:

Thomas78
Well-known
Nice picture!
I am not brave enought to try 1/5s without a tripod...
Super Ikonta 531/2 with uncoated Tessar 105mm f/4.5.
Fomapan 100 with Rodinal 1:50:

Super Ikonta 531-2_03_Fomapan 100_008 von thomas.78 auf Flickr
Fomapan 400 with HC-110B:

Super Ikonta 531-2_04_Fomapan 400_001 von thomas.78 auf Flickr
I am not brave enought to try 1/5s without a tripod...
Super Ikonta 531/2 with uncoated Tessar 105mm f/4.5.
Fomapan 100 with Rodinal 1:50:

Super Ikonta 531-2_03_Fomapan 100_008 von thomas.78 auf Flickr
Fomapan 400 with HC-110B:

Super Ikonta 531-2_04_Fomapan 400_001 von thomas.78 auf Flickr
wallace
Well-known
Thomas78
Well-known
Super Ikonta 531/2 with uncoated Tessar 105mm f/4.5.
Fomapan 400 with HC-110B:
Feeding the ducks:
(f/8, 1/100s)

Super Ikonta 531-2_04_Fomapan 400_003 von thomas.78 auf Flickr
Bridge under the bridge:
(f/8, 1/50s)

Super Ikonta 531-2_04_Fomapan 400_004 von thomas.78 auf Flickr
Fomapan 400 with HC-110B:
Feeding the ducks:
(f/8, 1/100s)

Super Ikonta 531-2_04_Fomapan 400_003 von thomas.78 auf Flickr
Bridge under the bridge:
(f/8, 1/50s)

Super Ikonta 531-2_04_Fomapan 400_004 von thomas.78 auf Flickr
OlliL
Well-known
P C Headland
Well-known
Thomas78
Well-known
Super Ikonta 531/2 with uncoated Tessar 105mm f/4.5.
Fomapan 400 with HC-110B:

Super Ikonta 531-2_04_Fomapan 400_008 von thomas.78 auf Flickr
Fomapan 400 with HC-110B:

Super Ikonta 531-2_04_Fomapan 400_008 von thomas.78 auf Flickr
Rodchenko
Olympian
Gosh, where is that? I like the way it isn't on a plinth.
Thomas78
Well-known
Gosh, where is that? I like the way it isn't on a plinth.
It is in Munster (not Münster), a small town in the north of Germany, about half distance between Hannover and Hamburg.
The other four pictures on this page are also from Munster.
Rodchenko
Olympian
Thanks Thomas.
seajak
Well-known
This is my first foray into medium format. These were taken with a No 1 Autographic Kodak Jr circa 1920. I think it belonged to my parents although I never saw them use it. It has been lying in a box of bits and pieces I took with me when I left home over 40 years ago. I recently had it CLA'd including re-gluing some of the cover and polishing it up. I'm very pleased with the results from such an old camera although there is a light leak I will have to track down. Any suggestions as to where to start looking?
cheers,
clay



cheers,
clay
GaryLH
Veteran
For the light leak, use one of those new super small light weight led flash lights. Put it inside the camera w/ the bellows unfolded and the rear film swing door close... Find a dark room any light leak should show up.
Gary
Gary
seajak
Well-known
Thanks Gary, I'll try that.
cheers,
clay
cheers,
clay
giurom
Member
Thomas78
Well-known
Agfa Record II with Apotar 105 mm f/4.5
Kodak Porta 400

Agfa Record II_F3_Porta 400_001 von thomas.78 auf Flickr

Agfa Record II_F3_Porta 400_003b von thomas.78 auf Flickr
Kodak Porta 400

Agfa Record II_F3_Porta 400_001 von thomas.78 auf Flickr

Agfa Record II_F3_Porta 400_003b von thomas.78 auf Flickr
Thomas78
Well-known
Two more:
(Agfa Record II with Apotar 105 mm f/4.5, Kodak Porta 400)

Agfa Record II_F3_Porta 400_004 von thomas.78 auf Flickr

Agfa Record II_F3_Porta 400_005 von thomas.78 auf Flickr
(Agfa Record II with Apotar 105 mm f/4.5, Kodak Porta 400)

Agfa Record II_F3_Porta 400_004 von thomas.78 auf Flickr

Agfa Record II_F3_Porta 400_005 von thomas.78 auf Flickr
Noll
Well-known
Zeiss Ikon Ikonta 523/16 with Opton Tessar, Arista Edu 100, Caffenol CM
I shot most of these around f4-5.6
I was pretty happy about the tones coming off the foliage
I shot most of these around f4-5.6
I was pretty happy about the tones coming off the foliage



erikhaugsby
killer of threads

This one came out of Kathmandu, and is one of my more favorite pictures of mine. From an Agfa Isolette III with the Apotar 4.5/85, on Velvia 50.
Thomas78
Well-known
Agfa Record II with Apotar 105 mm f/4.5
Kodak Porta 400:

Agfa Record II_F3_Porta 400_007 von thomas.78 auf Flickr
Kodak Porta 400:

Agfa Record II_F3_Porta 400_007 von thomas.78 auf Flickr
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