Chris - I am in awe of your work. You really capture the soul of that area. As a beginner trying to learn the craft I have a question that I was hoping that you might be able to answer.
Looking at your scans I haven't been able to find ANY visible artifacts like dust, scratches, excess photoflow etc. So, my question is this - are your negatives spotless before you scan, or are you using the photoshop eraser to get rid of some of that dust?
As most negs (even the clean ones) need some cleaning up with photoshop.
Also, I read that thread about using distilled water. In that thread you said that you use Kodak photoflow with distilled water (if my memory serves me correctly). So, my second question is do you have the problem of Kodak's photoflow leaving sheet marks? That is what I experienced so changed to LFN.
Thanks and I eagerly look forward to further developments with this work.
Also, one more question - have you approached any of the leading photo book publishers to get this work into a book form?? It would be nice to see this in print one day, as it is a historical record of a place that is changing.
Thanks
😀
I never have photoflow drying marks, but I don't mix it the way Kodak says to. Kodak's recommended dilution makes it too strong, in my experience. I've had trouble with it leaving streaks and sometimes even leaving sticky, gummy spots on the dried film.
Mixing it at a higher dilution eliminates this stuff. The directions on the bottle I have say to dilute it 1 part photo-flo to 200 parts water (5ml added to 1000ml of water). I dilute it 1 to 400, so I use 2.5ml of photo flo added to 1000ml of water.
I mix up more than I need to fill the developing tank, because it tends to foam up when pouring it in the way I do. I have the film reels in the tank with the lid off and pour in the photo flo, then pour it back into the mixing graduate and repeat 3 times before pouring it into the developing tank and letting it overflow the top to make the foamy stuff wash out of the tank. The reason for pouring it in and out is to give some agitation to make the photoflo displace the wash water on the film. I then leave the film in it 30 seconds.
I take the reels out and shake them to shake off excess water on the film, then remove the film and hang it to dry. NEVER squeegee the film with your fingers or anything else, you WILL scratch up a roll badly someday, and it'll be an important one. The highly diluted photo flo won't leave streaks even if you do not wipe the film off.
To prevent dust, hang them in a room that no one will go into while the film dries. Walking around the room stirs up dust into the air, and while the film is damp, dust will embed into the soft emulsion. I hang mine over a bathtub. I have two bathrooms, so no one uses the one the film hangs in when I'm doing developing.
I scan with a glass carrier on my Nikon LS-8000ED, so keeping the glass, all four surfaces, clean is a challenge. I never have severe dust though, because I'm careful. That said, most scanned films do require the removal of a few dust spots. If there's a lot of them, I just rescan the film, its less work than retouching a lot of them in Photoshop.
I have found that publishers are not interested in anyone right now who is not very, very famous. I'm only 36, so when I am old and (hopefully) famous, I hope to get a book published. I've thought about doing a blurb book, but sales of my prints are WAY down, this summer has been very hard...the economy is pretty bad now and no one is buying anything they do not need. I haven't put a blurb book together because it takes more work than I have time for, when I likely won't sell many. I've been taking on more commercial work and web design work to pay the bills this summer since my fine art stuff is not selling the way it used to, so I'm busier than usual even though I'm now poorer, lol.