raid
Dad Photographer
I am getting addicted to my old Zeiss Sonnar 5cm/2 and the Contax IIa. I just love the rendition from this old Sonnar. The bokeh is smooth, but it cannot handle well direct light.
Attachments
Last edited:
Brian Sweeney said:There's something magical about that uncoated Sonnar, especially in low-light.
Use the Zeiss-Opton 50mm F1.5 Sonnar for the bright lights!
rick oleson said:If your f/2 Sonnar is the prewar collapsible one (which makes a really nice combination with the compact IIa body), then yes, the f/1.5 Opton Sonnar is much better in bright light. As far as the bright light issue is concerned, this is a function of the antireflection coating on the Opton lens, but in addition, the f/1.5 Opton seems (in my experience) to be a remarkably crisp lens, more so than even the postwar f/2.
rick oleson said:I'm not sure if they were sold that way, but some of the earliest Black Dial IIa's may have come with rigid CZJ lenses: in the instruction manual, the lenses on the cameras in all of the photos are Carl Zeiss Jena. This was before the facility in Oberkochen was ready, and before the Zeiss folks fully realized that they were supposed to hate each other like good Cold Warriors. My 1950 Rolleiflex also has a Carl Zeiss Jena lens, there was a brief window of cooperation before things fell apart.
Sanders McNew said:Raid! Little girls in the Big Easy! Beautiful! 🙂
Sanders
Nikon Bob said:Raid
Nice set of photos. I have not tried my collapsible pre war uncoated 50/2 yet but I have used my pre war uncoated 50/1.5 and found sharp as I could want even wide open. The only downside is that it flares but a hood helps. A post war coated lens might go a long way to solving the flare issue with these old uncoated lenses.
Bob
dexdog said:Raid, a serial number over 3 million would indicate that your rigid 50/2 sonnar is a postwar lens. The post WW2 lenses from CZJ usually had aluminum alloy bodies (rarely chrome), and were "T" coated. I used to have a post-war CZJ 50/2, but sold it because I preferred the fit and finish of the Opton and Carl Zeiss lenses. Also, I think that the later West German Opton and CZ lenses were better performers than the early 1946 to 1950 vintage CZJ lenses.
Oh, I forgot to add that I too like the rendition of the old Sonnars for B & W film, especially the pre-war uncoated versions. Have to be careful about flare with the uncoated lenses, though. Nice pics of the family.