maddoc
... likes film again.
endustry said:So I bit the bullet and got an SA f/3.4 mainly for use w/ my M8. Time to find my VC Meter II!
Congrats !
Ororaro
Well-known
Congratulations!
maddoc
... likes film again.
Sea ice ... with the Super-Angulon
Sea ice ... with the Super-Angulon
Leica M4-P / red-filter (from Leica, no idea which type, 3 stops corrected by estimation) Kodak Plux-X125 (developed in XTOL and not carefully scanned ...)
Sea ice ... with the Super-Angulon
Leica M4-P / red-filter (from Leica, no idea which type, 3 stops corrected by estimation) Kodak Plux-X125 (developed in XTOL and not carefully scanned ...)

veraikon
xpanner
chapeau ! Where was it made ? As far as I know the outer Helmholtz plane is looking quite different 
maddoc
... likes film again.
cheers,
maddoc
Yep, the outer Helmholtz plane must look different but not that different ...
maddoc
... likes film again.
awilder
Alan Wilder
I finally got the 21/4.5 ZM. It's got the similar magic imagery as the 21/3.4 but sharpness is extended across most of the frame plus far less light fall off, smaller size and TTL metering. The only drawback is less speed.
Palaeoboy
Joel Matherson
Ive tried all the Leica 21's (except the SA f4) and certainly the f3.4 is the most compact and the most character of Leicas 21's. In its era the late 60's and 70's its a phenomenal lens, but I couldn't embrace the SA 3.4 with its light falloff, just too great even by 21 standards. I found the ASPH disappointing at 2.8 so much so I thought my example was faulty only to learn it wasn't. The 60mm filter size of the pre-ash was just a bit too much when I switched to CLE's so I found the Voigtlander the best option. Less fall off than the SA, greater resolution than the pre-ASPH Elmarit with less distortion and able to match the ASPH one stop down. Only the new Biogon 4.5 could tempt me away but its hard to pass up having a 21, 28, 40, 90, 135 all with 39mm filters.
awilder
Alan Wilder
I use to own the VC 21/4. Nice and compact at a great price but the ZM 21/4.5 is a notch or two better and more flare resistant in adverse lighting.
David Murphy
Veteran
I've been thinking about getting a Super Angulon for my M2. I've found the results from them simply stunning: those posted above and those in "Leica M Photography" by Bower. Does anyone have any advice on the relative merits of the F4 version vs. the F3.4 version? Maybe I should consider an early Elmarit since the prices are somewhat similar (I think)?
maddoc
... likes film again.
When I decided to buy the Super-Angulon, I did some research on both versions (the older f/4.0 - as I remember an LTM lens - and the f/3.4 in M-mount) Nearly all opinions were, that the f/3.4 is quite a step above the older f/4.0 version. Also, prices for f/4.0 are quite high, it is more a collector's choice.
My copy of the lens looks quite worn, many scratches on the barrel and the aperture ring gets sticky around f/4.0 and f/3.4 but the optics is superb and and I really love the lens.
Cheers,
maddoc
My copy of the lens looks quite worn, many scratches on the barrel and the aperture ring gets sticky around f/4.0 and f/3.4 but the optics is superb and and I really love the lens.
Cheers,
maddoc
meven
Well-known
Wow, beautiful shot!
BTW, can I mount a SA 21/3.4 on a Zeiss Ikon body? Will the rear element touch anything?
Max
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David Murphy
Veteran
Yes an inspiring shot indeed - nice work
maddoc
... likes film again.
Max and David, thank you !
I have to shot more with the Super-Angulon-M ....
meven
Well-known
abenner
undecided
anybody ever use a 21 on an m without an external finder, with or without success?
maddoc
... likes film again.
I tried a couple of times ... Shooting from the hip works quite well with the 21mm but using the integrated VF for framing is to much "guess-work" (and a low rate of photos worth to keep).
maddoc
... likes film again.
meven
Well-known
This is a nice one ! I like the lighting and contrast. What aperture was it roughly ?
I am pretty sure it was wide open at 3,4.
Thanks for the comment.
PS: in post #35, I asked if it was possible to mount the Super-Angulon on the Zeiss Ikon, I can now confirm that it is NOT possible.
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maddoc
... likes film again.
PS: in post #35, I asked if it was possible to mount the Super-Angulon on the Zeiss Ikon, I can now confirm that it is NOT possible.
Physically not possible (will be something hit inside) or just metering doesn't work (as in the case of Leica M6 or newer) ?
One more in color:

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