The fact that it is hideously expensive is not relevant.
The question of whether SuperSense can manage a sustained production of this stuff is also not relevant.
The question that it might or might not even come close to what Fuji and Polaroid products of the present or past are/were is also not relevant.
The only thing to question yourself about is whether or not you feel there's sufficient merit in the attempt to bring this now long dead film format back into existence, even if only for a couple of exposures, and whether you'll enjoy using that brief moment enough to be worth the cost.
On any technological scale of relevance, NONE of stuff is worth a dime from the point of usability, capability, and performance compared to even the cheapest digital camera now on the market. Very little of the instant film now available (Fujifilm Instax in all its different formats, Polaroid Originals nee Impossible Project SX-70, 600, Spectra, or 8x10, etc etc) has much to recommend it other than its unique imaging qualities—both good
AND bad—and the marvel of the camera design, chemistry and manufacturing of film, of a bygone era that it represents.
I am shooting a lot of instant film lately ... both PO and Instax formats ... and it remains curiously attractive, ridiculously expensive, and an ongoing marvel at the genius of Dr. Edwin H. Land and his team of engineers, and the hard work of marketers, engineers, and visionaries of the present day who work hard to recreate it. I offer my money to projects like this, when I can afford to, simply to honor what all those decades of brilliant work by wonderfully crazy people bring to enrich the world.
I haven't decided quite yet whether to back this Supersense project, but I likely will. Purely for the joy of helping to advance creativity and passion for ridiculous and impossible things.
🙂
I'll go for my bicycle ride now, and my InstaKon RF70 will be with me.
G
MiNT InstaKon RF70 + Fujifilm Instax Wide Monochrom