chrism
Well-known
Peace, Love and Happiness...
How about Peace & Rhymes? This shows some of the streaking you can get with this technique (these aren't surge marks, but yellow streaks on the surface of the film that I think I could wipe of when wet. If the picture was worth it, I could rewash the negative and then try, but then again, it's not worth the effort in this case! It was just starting to rain and the light was overcast and wretched.

Chris
chrism
Well-known
chrism
Well-known
F6, Ektar 100, Unicolor presskit, X1 scans:
Fenders 2 by chrism229, on Flickr
Winch gear 2 by chrism229, on Flickr
F6, Acros 100, Rodinal 1+50, X1 scan:
Over-engineered 1 by chrism229, on Flickr
C.


F6, Acros 100, Rodinal 1+50, X1 scan:

C.
Joeys61
Joey
F6 with Nikkor 16-35mm
Velvia 100
Beach-Boys-Poipu by Joey Chavit, on Flickr
With Nikkor 17-55 F2.8
Agfa Ultra 100
Poipu Beach Kauai by Joey Chavit, on Flickr
Velvia 100

With Nikkor 17-55 F2.8
Agfa Ultra 100

Last edited:
chrism
Well-known
Last film of the day. F6, Portra 160, Unicolor presskit, X1 scans:
Chinese Lanterns 2 by chrism229, on Flickr
Stump by chrism229, on Flickr
Swallowtails by chrism229, on Flickr
Chris



Chris
chrism
Well-known
Cheap film day! F6, Kodak Ultramax 400 @320, Unicolor presskit, X1 scan:
Brooke Alexandra by chrism229, on Flickr
Chris

Chris
Godfrey
somewhat colored
Three photos ...
Three photos ...
No great art, but I've confirmed that the F6 and my lenses are working well...

Nikon F6 + Nikkor 28mm f/2 AI

Nikon F6 + Nikkor 50mm f/1.2 AI-S

Nikon F6 + Nikkor 50mm f/1.2 AI-S + TC-16A AF Telextender
Mostly near wide open ...
I find that the TC-16A AF teleconverter works ok, focus is best if I'm stopped down to f/2-2.8 on the 50mm lens. I'm certain from testing that I can focus the 50/1.2 more accurately with manual focusing when wide open. I'll likely not use it much, but it's kinda fun to have around.
I've ordered a Nikon 35/2 AF-D lens, just to have one native AF lens that I can also use on the F, but I may well send it back since the 28mm and the 50mm are so easy to focus anyway. I do prefer manual focus most of the time; AF is a nice convenience.
Anyway, I'm very pleased with the camera. Just have to get used to its bulk and weight.
enjoy!
G
Three photos ...
No great art, but I've confirmed that the F6 and my lenses are working well...

Nikon F6 + Nikkor 28mm f/2 AI

Nikon F6 + Nikkor 50mm f/1.2 AI-S

Nikon F6 + Nikkor 50mm f/1.2 AI-S + TC-16A AF Telextender
Mostly near wide open ...
I find that the TC-16A AF teleconverter works ok, focus is best if I'm stopped down to f/2-2.8 on the 50mm lens. I'm certain from testing that I can focus the 50/1.2 more accurately with manual focusing when wide open. I'll likely not use it much, but it's kinda fun to have around.
I've ordered a Nikon 35/2 AF-D lens, just to have one native AF lens that I can also use on the F, but I may well send it back since the 28mm and the 50mm are so easy to focus anyway. I do prefer manual focus most of the time; AF is a nice convenience.
Anyway, I'm very pleased with the camera. Just have to get used to its bulk and weight.
enjoy!
G
chrism
Well-known
Last night I soldered a power supply and a potentiometer to the motorised Rondinax and tonight I wanted to try it with a colour film. Having no one else home, sat myself in front of the F6 and guessed the focus (rather badly). The Superia 400 came out of the machine quite nicely though:
Self-portrait by chrism229, on Flickr
Chris

Chris
chrism
Well-known
chrism
Well-known
F6, 85mm/f1.4, Pan F, Qualls' monobath, X1 scans:

Lantern by chrism229, on Flickr

Baby Apple by chrism229, on Flickr
Chris

Lantern by chrism229, on Flickr

Baby Apple by chrism229, on Flickr
Chris
dave lackey
Veteran
Godfrey
somewhat colored
Godfrey
somewhat colored
Sorry, but I only post the rendering of a given image that I am comfortable posting. I use color film sometimes for a color rendering but also to allow B&W filtering, and for other characteristics of the film.
This one I rendered both color and B&W, but I like the feel of the color I developed in it.
enjoy,
G
This one I rendered both color and B&W, but I like the feel of the color I developed in it.
enjoy,
G
Godfrey
somewhat colored
chrism
Well-known
chrism
Well-known
Godfrey
somewhat colored
Godfrey
somewhat colored
Godfrey
somewhat colored
I posted a few more photos from my second roll of Superpan 200, processed this past Saturday, at the end of this alternate thread: http://rangefinderforum.com/forums/showthread.php?t=150049
BTW: Superpan 200 is a royal pain to use. The base is so thin that the F6 doesn't transport it evenly, and it's not only fussy in the Coolscan V auto-feeder but the variable frame spacing makes auto-feeding a tedious game too. It won't flatten easily either. On the other hand, it's got a lovely rough-grain look to it the way I'm processing it and the spectral sensitivity is like having a light-orange filter fitted, which is my normal setup for daylight work, without the hit on film speed. I have a third roll in the M4-2 at present.
G
BTW: Superpan 200 is a royal pain to use. The base is so thin that the F6 doesn't transport it evenly, and it's not only fussy in the Coolscan V auto-feeder but the variable frame spacing makes auto-feeding a tedious game too. It won't flatten easily either. On the other hand, it's got a lovely rough-grain look to it the way I'm processing it and the spectral sensitivity is like having a light-orange filter fitted, which is my normal setup for daylight work, without the hit on film speed. I have a third roll in the M4-2 at present.
G
dave lackey
Veteran
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