Michael Markey
Veteran
I am looking outside of RFF to get a balanced consideration of what this camera is really about.
Last time that I checked the reaction to it on LUF was pretty similar.
I am looking outside of RFF to get a balanced consideration of what this camera is really about.
It's a Leica, never gonna happen.. High quality low volume sales strategy..
The Leica Q, X, & T are what I believe Leica has aimed at the low end price range.
If I want the Leica experience, I'll shoot film.
Gary
This strongly reminds me of the leicaflex SL. It seems that the guys at Leica are either new or forgot of past failures.
There are important qualities to this camera that do differentiate it from the competition. For example, the Leica SL shares much of the well-liked Leica S UI. It's simple but allows configuration. It also works well with M lenses according to the first reports.Today's SL announcement was deeply disappointing to me for a number of reasons. As far as I am concerned, Leica has not provided a single reason why this camera is fundamentally superior or more attractive than a number of other options.
And my reaction to this latest creation from the company that made my beautiful M240, my Leica 1a, my M2 and my jewel like 1933 Leica ll .............
![]()
They're trying to be the first to put together a pro mirrorless system (and it's the direction I see Canikon going if they were to do a full-frame mirrorless camera):
- A bigger body that balances well with larger primes and zooms
- Big EVF that would make it very easy to manually focus lenses
- A initial lens lineup that covers the most used focal lengths and is stabilised
- What seems, on paper, to be fast AF and fast operation in general
- A video mode that isn't gimped to protect a dedicated video camera lineup (see: Canon). I bet Leica have asked Panasonic for advice on video as well. Assuming that the quality is up to GH4 standards, 4:2:2 10-bit output, 4k30 and 1080p120, stabilised Leica zooms, weather sealing, zebras, mic-levels, and the ability to mount almost every kind of lens would make for an amazing video setup. Of course, there are many other factors in what makes for a good video camera, but it looks promising.
On the other hand, Sony could simply announce a larger version of the a7, say an a9R/a9s, and the SL would be dead before it even gets the pro mirrorless bandwagon going.
Big EVF does not means that MF will be easy.
But big EVF means that you have to have great eyesight even only to look through it for MF.
An EVF gives you an exact representation of what the sensor sees through the lens
It does highlight that the electronics in the M240 are outdated or at least poorly implemented. It might not matter to many current M240 owners, in that the camera performs to their brief admirably. From Leica's point of view it is a sales success. However the live-view experience and video on the M240 are sub-par. It would be nice if the next generation gets a trickle-down boost from the SL.
What does Leica do for us pros? They do absutely nothing. I owned an M9 which spent months in the shop ( bought new and under warranty ) and a cash of new lenses and could not get them to loan me a body or lens despite having used their gear for almost 50 years. I guess that service is reserved for wealthy dentists.
Until Leica puts in place a full support system for pros comparable to Nikon and has a mature system of lenses from 14mm to 600mm with zooms they will never be widely used professionally.
This strongly reminds me of the leicaflex SL. It seems that the guys at Leica are either new or forgot of past failures.