I think, you have mistaken the MURDER OF PHOTOGRAPHY for the murder of B&W. Giving an auto everything camera to 300.000.000 people is not going to produce 300.000.000 good photographers, but rather a sea of crap with some gems, few and far between. As to the technical aspect of today's B&W images, many of them are of the high contrast, pushed film effect type. The reasons are numerous: the difficulty of producing good tonality from digital sensors, ever more contrasty lenses, perhaps low average post processing technical ability, and finally, the fact that 95% of people taking photographs today, have not seen a good B&W print in their lives, so they don't even know their images suck.
If you want high quality B&W prints, there are many ways of getting there, but it takes some effort and conscious choices. Personally, I work with hybrid workflow and am quite satisfied with the results. BTW, Ilford has just released a new baryta inkjet paper, dedicated for B&W printing.
HP5+ in HC110
MF20130104 by
mfogiel, on Flickr