cam
the need for speed
best shot i've seen w/ a canon 50/.95!
i agree! all it shines!
chambrenoire
Well-known

Zuiko 100m f/2.8
gohaj
Well-known
hans voralberg
Veteran
Leica M8 -VC 35/1.2. All Bokeh since it's OOF.

CK Dexter Haven
Well-known
[SLR] Nikon 50mm 1.8 Series E.
$25, and it's now my favorite piece of glass.
$25, and it's now my favorite piece of glass.

rya
Established

50 cron latest, 160vc. Handles foliage.
a_aa
Newbie
Robin P
Well-known
chilohm
Jack Sloan
Contax G2/Leica M6TTL Bokeh
Contax G2/Leica M6TTL Bokeh
Ed (Contax G2, 90/2.8 @2.8) Kodak Portra 160VC
Bench, Chorlton Ees, Manchester, Leica M6TTL, Summicron 35 ASPH @F2, Kodak Portra 160VC
Bench, Chorlton Ees, Manchester, Leica M6TTL, Summicron 35 ASPH @F2, Kodak Portra 160VC
Contax G2/Leica M6TTL Bokeh
Ed (Contax G2, 90/2.8 @2.8) Kodak Portra 160VC

Bench, Chorlton Ees, Manchester, Leica M6TTL, Summicron 35 ASPH @F2, Kodak Portra 160VC

Bench, Chorlton Ees, Manchester, Leica M6TTL, Summicron 35 ASPH @F2, Kodak Portra 160VC

Damaso
Photojournalist
50mm Summilux Pre-asph with Kodak Portra 160

nuckabean
Established
Samuel Wo
Newbie
nuckabean
Established
ishpop
tall person
ishpop
tall person
Planar 80mm T

FPjohn
Well-known
Evocative
Evocative
This very evocative.
yours
FPJ
Evocative
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Zuiko 100m f/2.8
This very evocative.
yours
FPJ
robklurfield
eclipse
A lemon reflected on a black counter. M8 w/ Canon 50 1.4.

Leica All Day
Veteran
andreas.pichler
Established
...a lazy day in he park..Jupiter 3 with Epson R-D1:
marcr1230
Well-known
Bokeh is funny - 20 years ago nobody spoke of Bokeh or examined the subtleties to the extent we do today
IMHO a nice Bokeh is one that gives dimensionality to an image, the out of focus area, either by color, tone and/or texture, helps the in focus area stand apart and really snap out of the the scene. At the same time, this is without the OOF area being a distracttion.
I think Andreas' picture is a good example of this, as well as many others in this thread.
IMHO a nice Bokeh is one that gives dimensionality to an image, the out of focus area, either by color, tone and/or texture, helps the in focus area stand apart and really snap out of the the scene. At the same time, this is without the OOF area being a distracttion.
I think Andreas' picture is a good example of this, as well as many others in this thread.
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