nightfly
Well-known
This is strictly my own opinion, of course, but my contention is that there is no street photography. What there is, is social documentary, and urban landscape.
What we call "street" is either social documentary that happens to occur in an urban setting, or urban landscape that happens to include people.
If any of us desire to make images of people in public, it would help tremendously to think of it as social documentary photography, instead of this imaginary thing called "street". Which implies that we therefore have a responsibility to the subject to treat them as humans, to first develop some form of relationship, or at least provide a wider context than their physical countenance being a mere photographic subject like a vase or sculpture.
~Joe
I disagree and don't think the terms social documentary or urban landscape add anything at all. Why throw out a term like street when generations of photographers and photography viewers have come to know what it means or at least to identify when they see it.
Happen to come across this quote in an article about Robert Frank from the NY Times magazine a few months back:
"Photography can reveal so much. It's the invasion of the privacy of people." Accordingly there was an element of tradecraft. "I felt like a detective or a spy. Yes! Often I had uncomfortable moments. Nobody gave me a hard time, because I had a talent for not being noticed."
I would say one of the greatest social documentarians of our time expressively didn't have that attitude. He shot as an outsider without forming any sort of relationship intentionally. The power of his photography was very much a product of his outsider looking in status and stealing images and invading privacy.
He had a lot of trouble getting traction especially here in the states because of the sometimes unflattering and all too revealing quality of his images.
This isn't to say that this is the only way to practice street photography but it certainly isn't invalid. I'm not sure how you can judge if you are "treating a subject as human" or if "you've formed a relationship".
Most of the street photographers who I admire, Frank, William Klein, Daido Moriyama I don't see as documenting social relationships primarily.
There are certainly scores of others who do aim to do this expressively that are also street photographers but "social documentary" isn't the aim of all street photographers.
