Sejanus.Aelianus
Veteran
Oops! Duplicate post!
Re viewfinder seperation, in all the time i've been on this forum, 6 years, i've never heard of any M finder seperate. Plenty of scare mongering but no action.
Regarding the M4, I always thought the prisms were balsam glued. I've certainly seen some with the trademark beading on the seams.
Earlier M4s had balsam-cemented prisms and later ones synthetic glue applied. If memory serves me right, they can be distinguished by the shape of the baffle behind the VF eyepiece, one is rectangular and the other barrel-shaped (I forgot which one is which but there was a long thread about this on photo.net)
Re viewfinder seperation, in all the time i've been on this forum, 6 years, i've never heard of any M finder seperate. Plenty of scare mongering but no action.
It happens though: http://www.rangefinderforum.com/forums/showthread.php?t=89167
On the good side, Youxin Ye does reglue prisms now.
John - so good to read you here!
OP -- I have owned numerous Ms and I don't think there is a better M than the M2 for all-round use. The only downside ... I just can't think of anything that I'd consider lame about a good M2, whereas I can think of the lameness of the red-haze and blinking arrows/dots in lowlight one can all-too-easily experience while trying to work with a properly and fully functioning modern metered MP. Its strength is its simplicity; it stays out of your way and lets you slow down, think and compose with the most useful FLs. Just take some care in the selection and you'll know why so many of us rave about the M2 when you start using it. BTW, there is no better combination for a M2 than a M3...as Roland already stated...
John - so good to read you here!
OP -- I have owned numerous Ms and I don't think there is a better M than the M2 for all-round use. The only downside ... I just can't think of anything that I'd consider lame about a good M2, whereas I can think of the lameness of the red-haze and blinking arrows/dots in lowlight one can all-too-easily experience while trying to work with a properly and fully functioning modern metered MP. Its strength is its simplicity; it stays out of your way and lets you slow down, think and compose with the most useful FLs. Just take some care in the selection and you'll know why so many of us rave about the M2 when you start using it. BTW, there is no better combination for a M2 than a M3...as Roland already stated...
There's a little circular cover on the front of the MP. It will unscrew if you turn it counter clockwise. Once you have unscrewed it all the way, turn it over, top down in the palm of your hand. You'll now see what appears to be a battery. Guess what? It is. Remove the battery and screw the circular cover back into the MP body. Note: you must do this in a clockwise motion. Problem solved! No more blinking lights.
Just praise the M2 without slamming the MP dude. Good grief.
Cons: no meter, few winder options (Tom A makes a nice rapidwinder, but that's it).
Ben
didn't you kick off the other day in defence of MP's?
"Football is not just a matter of life and death: it's much more important than that" - Bill Shankly
I keep seeing this claim but in 45 years I've never come across any old camera with these symptoms. 🙄
Re viewfinder seperation, in all the time i've been on this forum, 6 years, i've never heard of any M finder seperate. Plenty of scare mongering but no action.
Regarding the M4, I always thought the prisms were balsam glued. I've certainly seen some with the trademark beading on the seams.
And weren't you slamming them? BP paint too?
I already praised the M2 in this thread without introducing another Leica body to it. I've owned 4. Great cameras! I just don't get people who have to dismiss what others own to apparently feel good about the things they own. It's strange, and sad.
You can't be serious?
Is there any of the accolades here for M2 that cannot be applied to an M4-P ?
I do like the advance lever style on the M2/M3.