Guy Pinhas
Well-known
Tri-X @1600 in Diafine with a pre-asph 35mm Summilux. I am pretty sure both were shot wide open. And sorry for the big files.
Pool at The Minds by Guy Pinhas, on Flickr
Pool at The Minds by Guy Pinhas, on Flickr


My next roll is loaded for shooting at 1250 (almost 1600). Thanks Cal for all the tips on TX+Diafine. I just got my first two rolls (mix of 800+400 w/filter) developed a few days back and scanned one in tonight with my Pakon. Grain looks nice and reasonable and the combo with the new 35 Ultron sings. Only negative is that I got a bit of streaking from the sprocket holes that needs to be sorted out. Going to post three obligatory shots here as a thank you:
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Trix @ EI 1600
HC 110, dil. B, 15'15'', 30'' gentle agitation at the start, then 10'' every minute.
M6, Canon LTM 50 f/1.4
Hassun restaurant: customers (Kyoto, Japan) by Alessandro Saponaro, su Flickr
M6, CV 35 f/1.4 MC
Hassun restaurant: cooks (Kyoto, Japan) by Alessandro Saponaro, su Flickr
There is an older article - I don't remember where I saw it - about pushing Tri-X to 3200 and beyond. The author tried a number of developers, including some really odd super-soup combinations.
It takes about 25 rolls, but know that Diafine gets "seasoned" where the part "B" gets slightly contaminated with residual part "A." Know that seasoned Diafine delivers smoother contrast and mucho mids.
The best negatives are yet to come.
Also about exposure: when in doubt overexpose, otherwise thin negatives result.
Beautiful. I will look at this combo and timing as well. Thanks.
13Promet - those photos are very impressive. Shot at f1.4, what shutter speed?
HC-110 is a developer I want to try. Seems like many possibilities.
Cal
The look of well-used Diafine is due to halide buildup in the A bath, not contamination of the B bath. You can figure this out by testing well used A bath with fresh B bath. But the well-used Diafine look is a very nice look.
Agree, on both counts.
Marty
Thank you!
It's my first bottle of it, and I love it!
It suits perfectly my needs both for low and high speed films and I love the way it renders tones and grain.
Moreover, the cost per dev. is ridiculously low, it lasts forever and no powders to mix.
I short, I'd say it's a fantastic allrounder: I don't thnk that I'm going to try anything else!