Greyscale
Veteran
Fort Dodge, Iowa's version of "street musicians":
Minolta H-Matic 9
Minolta H-Matic 9

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nigelll
Member
Steve M.
Veteran
This is a photograph of a quick color sketch in ink that I made of my crazy but talented old girlfriend Eileen back in 1985. Drawn at the San Francisco Broadmoor Hotel on Sutter St.

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charjohncarter
Veteran
Saxophonist for 'Sublime with Rome' playing with a local band:

peterm1
Veteran
QUOTE:
" PeterM - intrigued with the processing you've used."
Thanks for this....unlike many photographers I actually enjoy post processing and think it to be perfectly legitimate (some do not seem to accept post processing even though in an analogue world its perfectly OK.)
In any event I put a bit of effort into post processing as so far as I am concerned all that matters is the final result - not how you got it.
Many of my photos are processed to have quite low saturation and high contrast (I like the look and its become a bit of a trademark of mine I suppose.) Often I will also selectively process - e.g. dodge and burn. Something that seems to be a forgotten art in this digital age. Although I do it digitally of course. You will notice that I also often shoot wide open to minimize depth of field too and this gives a characteristic soft effect to the background.
You will most likely find more here is you like the results.
http://www.flickr.com/photos/life_in_shadows/sets/72157623069664936/
Here too.............................................
http://www.flickr.com/photos/life_in_shadows/sets/72157610362797162/
Hope you enjoy them.
" PeterM - intrigued with the processing you've used."
Thanks for this....unlike many photographers I actually enjoy post processing and think it to be perfectly legitimate (some do not seem to accept post processing even though in an analogue world its perfectly OK.)
In any event I put a bit of effort into post processing as so far as I am concerned all that matters is the final result - not how you got it.
Many of my photos are processed to have quite low saturation and high contrast (I like the look and its become a bit of a trademark of mine I suppose.) Often I will also selectively process - e.g. dodge and burn. Something that seems to be a forgotten art in this digital age. Although I do it digitally of course. You will notice that I also often shoot wide open to minimize depth of field too and this gives a characteristic soft effect to the background.
You will most likely find more here is you like the results.
http://www.flickr.com/photos/life_in_shadows/sets/72157623069664936/
Here too.............................................
http://www.flickr.com/photos/life_in_shadows/sets/72157610362797162/
Hope you enjoy them.
robert blu
quiet photographer
@ peterm1: lovely pictures which benefit from your post processing ability: lot to learn from it...
robert
robert
Jeicob
Amateur
migtex
Don't eXchange Freedom!
Maputo, Mozambique
Nikon TI28

Nikon TI28
atlcruiser
Part Yeti
MAMIYA 7

robklurfield
eclipse
robklurfield
eclipse
1983, Henry Threadgill and Fred Hopkins with a string trio
Henry with his group Zoid in February this year...
at little carnegie hall, which I think is now called zankel auditorium

Henry with his group Zoid in February this year...

at little carnegie hall, which I think is now called zankel auditorium

robklurfield
eclipse
Stomu Takeishi of Zoid.

Jeicob
Amateur
k.a
Well-known


shot with om1 and 35mm f2 zuiko. think i used neopan 1600 but could have been some tri-x or something
robklurfield
eclipse
amsterdam, 1983...

Sustich
Established

Jerry Garcia, Theatre, Chicago 1979

Bob Weir, Uptown Theatre, Chicago 1981

Jerry again in 1981
Sustich
Established


Jackson Browne, 1978

David Lindley, 1978

Sound check - Running on Empty Tour, 1978
robklurfield
eclipse
smasher, I love the expression you caught on this lady's face...
robklurfield
eclipse
Marvin "Smitty" Smith on drums at Sweet Basil with the David Murray Big Band circa 1985.

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robklurfield
eclipse
The David Murray Big Band at Sweet Basil. Musical Director Butch Morris. Vincent Chancey, French Horn.

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